Alex Nicholson: In the introduction of your exhibition and book, Life in Death, you discuss how your father was a gardener and the attic of your house was always filled with flowers dried by your mom. How did she use the dried flowers?
Rebecca Louise Law: My mother and father grew flowers in an allotment in our village. They would sell small bunches of dried flowers at the front garden gate of our home. My mother often made art, cards and decorations with dried flowers, too.
Do you garden as well? Or are you over working with flowers by the time you get home?
Growing up with the luxury of having a gardener as my father made me lazy in the garden. My father often prunes my tiny garden, and I have no problem with letting it overgrow time and time again. My home is full of dried flowers, and if we ever have fresh flowers in the house, they would have been bought and arranged by my husband.
Do you recall a specific moment when you realized that you wanted to be an artist, or was it something more gradual?
I always wanted to be an artist, nothing else interested me.
What is the process for sourcing all of the flowers you use? Do you use local farms in the countries where you work?
I like to source the flowers locally, and a lot of research will be put into this. My ideal is to have site-specific artworks that come from the land that I am working in. Most of my installations are locally sourced, and I love finding out what the local cultivated flowers are. Sadly, for some artworks, I have to import the flowers. On these occasions, I use flowers that I have sourced myself in the UK. If I need expertly dried flowers, they come from a farm in France, and for any other flower, I have a supplier in Holland who will hunt high and low for all species, dried or fresh.