Ray Eames an American Designer

Ray Eames

Ray Eames (b. Bernice Alexandra Kaiser 1912-88) was an American designer. She was born in Sacramento, California. She was the wife of Charles Eames. In creative partnership with her spouse Charles Eames and the Eames Office, she was responsible for groundbreaking contributions in the field of architecture, furniture design, industrial design, manufacturing and the photographic arts.

Education

Between 1933-39, she studied with Hans Hofmann, New York, Gloucester, and Provincetown, Massachusetts; and weaving, Cranbrook Academy of Art, Bloomingfield Hills, Michigan, under Marianne Strengel.

Biography

She changed her name in 1954 to Ray Bernice Alexandra Kaiser. In 1936, became a founding member of the group American Abstract Artists. In 1941, she married Charles Eames; her gold wedding ring was designed and made by Harry Bertoia. In 1941, they settled in Southern California. In 1942, she produced her first plywood sculpture. Between 1942-48, designed covers for the journals Arts and Architecture and, 1948-53, magazine advertisements for her and her husband’s furniture for Herman Miller. From the late 1940s, she and Charles Eames worked collaboratively, and all of his work should be attributed mutually.

Ray’s Arts & Architecture magazine covers | Eames Office

With her designed background in abstract painting, Ray 26 covers for Arts & Architecture issues between 1942 and 1947 . A majority of the cover designs highlighted her interest in collage and her tendency to interweave biomorphic forms with splashes of color. Her later designs evolved into imagery that was quite geometric and photographic.

Work first shown at the 1937 American Abstract Artists Exhibition, Riverside Museum, New York, and paintings in a 1944 group show, Los Angeles County Museum of Art.

A sample of work (MOMA)

Charles Eames, Ray Eames. Tilt-Back Side Chair. c. 1944 | MoMA

Charles Eames, Ray Eames. Tilt-Back Side Chair. c. 1944. Evans Products Co., Molded Plywood Div., Venice, CA. Molded walnut plywood, lacquered steel bars and rods, rubber shockmounts, and rubber glides. 26 x 21 1/2 x 28 1/2″ (66 x 54.6 x 72.4). Gift of the manufacturer. 68.1946. Architecture and Design

Charles Eames, Ray Eames. Low Side Chair. 1946 | MoMA

Charles Eames, Ray Eames. Low Side Chair. 1946. Evans Products Co., Venice, California. Molded and bent birch plywood; rubber shockmounts. 25 3/4 x 22 1/4 x 25″ (65.4 x 56.5 x 63.5 cm). Gift of Eugene Eppinger. 643.1973. Architecture and Design

Charles Eames, Ray Eames, University of California Los Angeles Team. Prototype for Rocking Armchair. 1948 | MoMA

Charles Eames, Ray Eames, University of California Los Angeles Team. Prototype for Rocking Armchair. 1948. Neoprene-coated aluminum shell, metal rods, and wood runners. 28 1/2 x 27 1/2 x 27 5/8″ (72.4 x 69.9 x 70.2 cm). Purchase. 382.1950. Architecture and Design

Charles Eames, Ray Eames. Side Chair. 1950 | MoMA

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

Eames chair is 64 years old – Encyclopedia of Design

B.Billy Wilder, the filmmaker, got the first one. Prime Minister Indira Gandhi of India also had one. And so did the father of the American comic strip, “Dennis the Menace.” Ownership of an elegant yet comfortable piece of furniture that was developed about 65 years ago was what this strange trio had in common.

chairs Archives – Encyclopedia of Design

Norway-based brand KAOS , known for their Scandinavian designs and affordable prices, is gearing up to launch their latest product, the Klapp designed in collaboration with product designer Ole Petter Wullum. Available in solid oak and oak veneer in three colourways, this high chair folds up into a slim profile for easy storage and features step ladders that allow kids to climb up and down themselves.

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