Carlo Mollino (1905 – 1973) Italian architect and designer

Carlo Mollino Automobile
Carlo Mollino Automobile

Carlo Mollino (1905 – 1973) was an Italian architect and designer. He was born in Turin.  

Today, Carlo Mollino seems just as important as when he was alive. The designer left his mark on the world of industrial design of the 20th century through one of a kind objects, incorporating new techniques and materials produced rather than batch productions in the form of collector’s items. With countless artists and designers following in the footsteps of an innovator who cherished craftsmanship over mass manufacturing, his reputation as an artisan lives today.


He studied engineering; 1929, art history, at the Ghent art school.

Royal School of Architecture, University of Turin, to 1931. 


He began his career as an architect in his father’s office in Turin. Later he worked independently but stayed in his father’s office. 

His 1944 residence of Ada and Cesare Minola in Turin illustrated his ‘Streamline Surrealism’ style. His 194 7 ‘House of the Sun’ was built in Cervinia. His work contrasted with the more Rationalistic designs emerging from Milan at this time. Influenced by the organic forms reproduced in issues of Domus in the late 1940s, such as Henry Moore’s sculptures, his fantastic designs for furniture reflected these shapes.

Most of his essential furniture was made at the Apelli & Varesio joinery in Turin. He was also influenced by Antonio Gaudi’s works, Charles Rennie Mackintosh, Charles Eames, Le Corbusier, and Alvar Aalto. He executed a series of glass tables with one-piece bent-plywood bases and chairs in organic forms. 


He favoured organic forms, albeit dedicated to pursuing a contemporary design idiom, rather than the rectilinear forms often associated with the International Style and its Italian counterpart, Rationalism. Instead, he looked at sources such as Art Nouveau’s fluid lines, Futurism and modern Surrealism, several features that influenced the furniture designs he started working on from 1937 onwards. With countless artists and designers following in the footsteps of an innovator who cherished craftsmanship over mass manufacturing, his reputation as an artisan lives today.

Wide-ranging work

His wide-ranging work included aeronautics, art, photography, set design, town planning, teaching, automobile bodies, clothing, furniture, interior decoration, and architecture. Much of his furniture and furnishings was site-specific and one of a kind, executed in glass and bentwood (furniture), plastic rods (lamps), and industrial materials (shelving) in the late 1940s and early 1950s. A sense of decadent kitsch pervaded his work. He used natural and artificial light, mirrors, water, and giant images. 


He designed; 

  • 1950-60 flats in Turin, 
  • 1950 house in San Remo, Teatro Regio in Turin 
  • Furnishings for a bachelor’s apartment in Turin
  • Furnishings for MUSA 
  • Housing and the Casa de Sole in Cervinia, 
  • The radio pavilion of the AGIP stand.
  • Exhibitions for art, sports and cars. 
  • 1950-60, he produced prototypes, few of which were manufactured. 
  • He patented articulated lamps with Birri, 
  • cupboard-and-panel systems, and cold-bent plywood (used in his furniture). 
  • He designed three-legged stools.
  • Fold-up and transforming furniture, and the 
  • 1954 Osca automobile. 

He was a member of ADI (Associazione per il Designo Industriale).

Carlo Mollino – “Tipo B” side chair, designed for Casa Licitra Ponti, Milan, 1950 | Phillips

“Tipo B” side chair, designed for Casa Licitra Ponti, Milan by Carlo Mollino.

Tea table – Brooklyn Museum

Carlo Mollino (Italian, 1905-1973). Tea Table, ca. 1949. Maple plywood, glass, brass, 20 1/2 x 47 1/2 x 21 1/4 in. (52.1 x 120.7 x 54 cm). Brooklyn Museum, Gift of the Italian Government, 54.64.231a-c. Creative Commons-BY (Photo: Brooklyn Museum)

Carlo Mollino | A pair of stools from the Lutrario ballroom (1960) | Artsy

From Aste Boetto, Carlo Mollino, A pair of stools from the Lutrario ballroom (1960), Varnished steel and Resinflex upholstery.


He showed his work at the;

  • 1954 (X) and 1957 (XI) Triennali di Milano. 
  • He won the Reed and Barton cutlery competition. 
  • A Mollino chair was-included in the 1983-84 ‘Design Since 1945’ exhibition at the Philadelphia Museum of Art. 
  • His work was the 1989-90 exhibition ‘Carlo Mollino 1905-1973’ at Galerie du CCI, Centre Georges Pompidou, Paris 1989-90. 


Woodham, J. (2004). Mollino, Carlo. In A Dictionary of Modern Design. : Oxford University Press. Retrieved 24 Jan. 2021, from

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.

Person. (2019, June 18). Carlo Mollino, the Provocateur Par Excellence. ELLE Decor.

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