Alphonse Mucha (1860 – 1939) was a Moravian decorator, painter, and graphic artist. In the 1890s and early 1900s, Mucha is well known for his Art Nouveau posters, particularly those of Sarah Bernhardt. Mucha first designed stage sets in Vienna; moved to Munich, in 1885 and Paris in 1887.Embed from Getty Images
He produced wall decorations for the country estate of Schloss Emmahof, near Grussbach (now Hrusovany, Czech Republic, of Count Khuen-Belasi).
Poster & journal illustration
He became involved in book and journal illustration and produced his first lithographs with Lemercier, Paris. With lithographer Champenois, he combined his artistry with the printer’s business expertise. He experimented with screen designs c1885-88 when he made a three-panel painted screen for Count Khuen-Belasi.
He was best known for his poster designs for Sarah Bernhardt, of which the first example was printed in 1894. Most of his work was distinguished by the fluid lines and bi-dimensional organic shapes, which almost made the term ‘Mucha style’ synonymous with Art Nouveau.Embed from Getty Images
Georges Fouquet produced the jewellery Mucha designed for Bernhardt.
He designed the interior of Fouquet’s shop, 6 rue Royale, Paris.
He designed furnishings, room settings, and objects that attempted to relate Art Nouveau motifs to interior design’s three-dimensionality. In 1904, he collaborated on jewellery designs with Louis C. Tiffany making four trips 1903-22. He was successful in the USA where industrialist Charles Richard Crane, a Slavophile resident of Chicago. He sponsored the 20-painting series Slav Epic.
Returning in 1922 to Czechoslovakia, his designs included postage stamps and banknotes.
Designs, including jewellery, published in the 1902 pattern book Documents Decoratifs. Work subject of 1980 exhibition, Grand Palais, Paris.
Jewellry design by Alphonse Mucha
Mucha’s reputation was further enhanced by a travelling exhibition of his posters, which originated in Paris in 1897, before travelling to Prague, Brussels, Munich, London, and New York.
In 1897, he opened his design school, where he taught until 1904 when he was commissioned to design the Bosnia-Herzegovina Pavilion at the Paris Exposition Universelle in 1900 he also exhibited scented bottles, jewellery and carpet design.
Summary of workEmbed from Getty Images Embed from Getty Images Embed from Getty Images Embed from Getty Images Embed from Getty Images Embed from Getty Images
Woodham, J. Mucha, Alphonse. In A Dictionary of Modern Design. : Oxford University Press. Retrieved 25 Jan. 2021, from https://www-oxfordreference-com.ezproxy.csu.edu.au/view/10.1093/acref/9780191762963.001.0001/acref-9780191762963-e-561
You may also be interested
Henri Rapin (1873-1939) was a French artist and decorator. He studied at the Ecole des Beaux-Arts under Jean-Leon Gerome and J. Blanc. Rapin (1873-1939) Set Of Art Nouveau Chairs Rapin worked as a painter, illustrator, furniture designer, and decorator. From 1903, his furniture was generally simple.
Manuel Orazi was a Spanish illustrator, a lithographer who contributed notable Art Nouveau posters of the last quarter of the nineteenth century. He designed the 1884 Théodora poster for Sarah Bernhardt with Gorguet. Others of his posters were for Peugeot bicycles, the opera Aben Hamet and, in the form of an old torn manuscript, for the opera Thaïs by Jules Massenet.