The origins of the CSD lay in the creation in 1930 of the Society of Industrial Artists (SIA) in Britain, when the public debate was concerned with the nature and definition of both the designer and the design profession. The manufacturing industry and the business community were generally sceptical of the potential economic benefits that design investment could deliver. The designer generally received low pay and status; this issue was discussed in the comprehensive 1937 Design and Designer in Industry Report Council for Art and Industry.
SIA Branches established
SIA branches were established in several regional manufacturing industry centres during the 1930s, such as Manchester (textiles), Stoke on Trent (pottery), Birmingham, and Liverpool. Nevertheless, despite attempts to increase national membership, by 1936, the total number of members was only 250. The society also tended towards what was known as ‘commercial art’ and advertising rather than industrial design per se during the same period.
A rigorous approach to membership
The SIA decided to initiate a more rigorous approach to membership in 1945, following the establishment of the Council of Industrial Design (See Design Council) in 1944 and its commitment to educating the manufacturing industry, educators, and the general public on design matters. This represented a marked shift away from the relatively relaxed attitudes of previous decades, with the dissolution of the existing membership, the establishment of a vetting applications committee, and rigorous guidelines being implemented. The members were required to demonstrate their design experience for mass production, whether in industrial design or marketing and advertising.
Creation of a code of conduct
With the increase in the number of design consultancies in Britain in the 1950s, the word ‘artist’ became increasingly uncomfortable as a suitable descriptor for a profession seeking recognition on a par with engineers, lawyers, doctors, and architects. Indeed, through its efforts to advise designers about contracts and fees and the creation of a Code of Professional Conduct, the SIA sought to validate its position. This led to a recasting of the organization’s title as the Society of Industrial Artists and Designers (SIAD) in 1965, a shift consolidated with recognizing the significance of design management in successive decades.
Chartered Society of Designers
A further change of title to the Chartered Society of Designers (CSD) in 1987 resulted from this drive. In the 1990s, as an essential instrument of innovation, creativity, and economic and social well-being, the CSD worked closely with the Design Council, the British Council, and the government to promote British design overseas.
Sources
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Chartered Society of Designers. Oxford Reference. Retrieved 24 Jan. 2021, from https://www-oxfordreference-com.ezproxy.csu.edu.au/view/10.1093/oi/authority.20110803095603896.
More on Design Associations and Organisations
Elevating Design: A Guide to Dubai Design Week
Dubai Design Week, held at Dubai Design District, is a global hub for innovation and creativity, showcasing design excellence across various disciplines, drawing over 130,000 attendees yearly.
Keep readingBridging Art and Industry: The Legacy of the Gorell Committee and the Council for Art and Industry
In the early 20th century, the British government formed the Gorell Committee and the Council for Art and Industry to integrate art and industry, leaving a lasting impact on design education and manufacturing.
Keep readingThe Birmingham Guild of Handicraft: A Beacon of the Arts and Crafts Movement
The Birmingham Guild of Handicraft, founded in 1890, embodied the Arts and Crafts movement’s ethos, advocating for manual artisanship and design integrity.
Keep readingBIFMA: Ensuring Excellence in Office Furniture
BIFMA sets voluntary office furniture standards, prioritizing safety, sustainability, and durability. Compliant products promise peace of mind, fewer injuries, and improved productivity.
Keep readingThe Guild and School of Handicraft: Arts & Crafts Movement
In the late 19th century, Charles Ashbee founded the Guild and School of Handicraft, revolutionizing British craftsmanship. Influenced by Ruskin and Morris, the guild emphasized quality and artisan status, leaving a lasting legacy.
Keep readingThe Historical Significance of AKhRR in Decorative and Applied Arts
The Association of Artists of Revolutionary Russia (AKhRR), later known as the Association of Artists of the Revolution, profoundly impacted Soviet and global arts through realism and socio-political allegiance.
Keep readingGlasgow School – Art & Design Term
The term “Glasgow School” refers to influential groups of artists in Glasgow, from the 1880s and into the 20th century, shaping Scottish art.
Keep readingExploring the RIBA Awards: A Testament to Architectural Artistry and Innovation
The Royal Institute of British Architects (RIBA) awards, established in 1836, celebrate architectural excellence, reflecting design evolution and aesthetic values. The diverse categories showcase the intertwining of architecture with the decorative and applied arts.
Keep readingWiener Werkstätte Austrian Art and Crafts Studio
Wiener Werkstatte was based on the ideals of the guild system & developed a direct relationship between designers and craftspeople.
Keep readingGruppo 9999 Italian Architecture and Design Group
Gruppo 9999 was a group of radical architects founded in Florence in 1968 by Giorgio Birelli, Carlo Caldini, Fabrizio Fiumi and Paolo Galli.
Keep readingItalian Association for Industrial Design (ADI)
The Association of Industrial Design (Associazione per il Disegno Industriale) (ADI) Since 1956, has brought together designers, companies, researchers, teachers, critics, journalists around the themes of Italian industrial design. It is the lead organisation of the development of industrial design as a cultural and economic phenomenon in Italy.
Keep readingInstitut d’Esthétique Industrielle: Champion of Good Design
The Institut d’Esthétique Industrielle, founded in 1949, is a crucial institution in French design, promoting good design and fostering innovation. It emphasizes functionality, sustainability, and aesthetic value in industrial production, contributing to the rich tapestry of French design and enhancing user experience and quality of life.
Keep readingThe GAkhN: Russia’s Beacon of Artistic Sciences
The GAkhN, active from 1921 to 1934, was a crucial chapter in Russia’s intellectual and artistic history, fostering artistic culture and innovation. It served as an academic hub, fostering innovative thinking, and shaping public understanding of the arts.
Keep readingIDSA Professional Organisation of American Industrial Designers
IDSA’s mission is to provide a platform that both elevates public awareness of design and strengthens the connection between design and business. One of the primary ways we accomplish this is through our vast portfolio of awards programs, which recognize designers for their achievements and contributions to the industrial design profession.
Keep readingNovembergruppe (1919) – German Radical Artists Group
Novembergruppe 1918 was a German artists and architects’ group established in 1918 in Berlin. It was described as radical in its use of new expressive techniques and rejection of earlier forms of expression. Members included Hans Eisler, Walter Gropius, Hugo Häring, Ludwig Hilberseimer, Hans and Wassili Luckhardt, Erich Mendelsohn, Ludwig Mies van der Rohe, Bruno…
Keep readingLe National Moblier, the institution for the French Decorative Arts
The Mobilier National is an institution attached to the Ministry of Culture that maintains, creates and distributes a unique collection of over 130,000 pieces of furniture and textiles. Its mission is to ensure the conservation and restoration of its collections, perpetuate and transmit exceptional know-how, and promote French decorative arts.
Keep reading