Helen Abson, who trained as an architect, is an Australian designer. She pursued architecture for five years; founded ZAB Design, designing fabrics that exhibited a preoccupation for texture achieved through pattern and colour. Helen and Ken Abson started Zab Design in 1972 when they released their first printed cotton upholstery fabric in bright colours.
During the 1970s and 1980s, Zab’s bold, vibrant textiles offered an inexpensive alternative to the iconic Finnish products of Marimekko. Zab prospered, exporting to the United States and attracting international press coverage.
Early Life
Helen Abson was born in Melbourne in 1942, and the University of Melbourne gave her a degree in architecture in 1965.
Biography
She went to Japan, then returned home and worked for five years in the office of architects Eggleston, McDonald, and Secomb. Abson went on to travel in Europe, the UK (where she worked for the London firm Austin-Smith/Salmon/Lord), Scandinavia, and South-East Asia. It was in Asia that she became interested in designing and making textiles. Like Robin Versluys’s Bolda fabrics, which were started a little later, Zab’s “orange lamps” and “lime green laminate” were influenced by the time they were made.
Arabia and Finel enamel homeware in bright, primary colours and bold fabrics like Finlandia and Finland’s amazingly bright and bold Marimekko, which everyone loved. Marimekko was very expensive in Australia, but Zab was able to make similar fabrics at competitive prices. These fabrics did well as curtains, blinds, bedspreads, pillows, wall hangings, and clothes.
In 1973, Zab Design started making a wide range of flat-pack furniture that people could assemble at home. The supports were built into the chair’s structure, and the backs and seats were made of rubber-backed canvas that was held in place with rods that could slide in and out.
Jenny de Nijs, who used to teach design at RMIT, says that by the 1980s, Zab Design had become known worldwide and was sending fabrics to the USA (New York, Boston, and San Francisco). In 1985, American architect Robert A. Stern put together the International Design Yearbook 1985/1986, which included several examples from the company’s “Shimmer Collection.” These examples were printed on Japanese cotton imported and dyed in Japan.
Sources
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL
Thames and Hudson. (1985). The International Design Yearbook 1985/1986.
RMIT Design Archives Journal. (n.d.). Retrieved September 23, 2022, from https://www.rmit.edu.au/content/dam/rmit/documents/about/design-archives-journal/rmit-design-archive-journal-vol-2-no-1-2012.pdf
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Books| Textile Design
Carey Blackerby Hanson
(as of April 25, 2024 08:00 GMT +10:00 - More infoProduct prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on [relevant Amazon Site(s), as applicable] at the time of purchase will apply to the purchase of this product.)Early American Children’s Clothing and Textiles: Clothing a Child 1600-1800
Early American Children’s Clothing and Textiles: Clothing a Child 1600-1800
$37.49 (as of April 25, 2024 08:00 GMT +10:00 - More infoProduct prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on [relevant Amazon Site(s), as applicable] at the time of purchase will apply to the purchase of this product.)Joost Elffers
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Susan Meller
(as of April 25, 2024 08:00 GMT +10:00 - More infoProduct prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on [relevant Amazon Site(s), as applicable] at the time of purchase will apply to the purchase of this product.)Textile Designs: Two Hundred Years of European and American Patterns for Printed Fabrics Organized by Motif, Style, Color, Layout, and Period (English, French, German, Italian and Spanish Edition)
Textile Designs: Two Hundred Years of European and American Patterns Organized by Motif, Style, Color, Layout, and Period
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