He studied at the University of Tokyo under Kenzo Tange to 1954.
Isozaki became one of Japan’s best-known architects of the last quarter of the 20th century. His work was direct, sometimes humorous, with geometric, solid forms.
1954-63, he worked in the office of architect Kenzo Tange.
In 1963, he set up his own architecture practise while collaborating with other architects and studios.
He was a visiting professor at the University of California in Los Angeles; the University of Hawaii; Rhode Island School of Design; Columbia University, New York; Yale University. He lectured at numerous institutions, including universities in Cambridge, Massachusetts, Toronto, Houston, Sydney, Pennsylvania, and Cambridge.
1979-84, he was a jury member of the Pritzker Prize and, in 1982, an international competition for Pare de la Villette, Paris. In 1983, an international competition for Hong Kong; and others.
He published the book The Dismantling of Architecture.
He designed dinnerware for Swid Powell.
Rugs included in the 1988 Dialog range produced by Vorwerk.
1973-83 Monroe chair and table by ICF,
1981 Fuji cabinets by Memphis,
The bed at the Affinita Elettiva of 1985 Triennale di Milano.
1986 jewellery by Cleto Munari.
With Tange, he was the chief architect for the 1970 ‘Japan World Exposition (Expo ’70),’
Osaka, and 1965-66 reconstruction plan (international competition winner; with Kenzo Tange) for Skopje (now Macedonia).
Isozaki designed 1955-58 Kagawa prefectural offices, Takamatsu;
1957-58 city hall, lmabari;
1959-60 town plan for Tokyo;
1971-74 Gumma Prefecture Museum of Fine Arts, Takasaki;
1972-74 Kitakyushu City Museum of Art;
1972-74 Fujimi country clubhouse, Oita;
1972-75 Kitakyushu central library;
1975 Shukosha building, Fukuoka;
1976-78 Kamioka town hall, Gifu;
1977-78 audio-visual centre, Oita;
1979-82 Tsukuba civic centre;
1981 Museum of Contemporary Art, Los Angeles;
1983 Palladium discotheque, New York;
1986 new city hall, Tokyo;
1986 Los Angeles Museum of Modern Art;
1986-90 Art Tower Mito, Ibaragi Japan); 1992 Guggenheim Museum Soho, New York.
Work shown at 1968 (XIV) Triennale di Milano;
1976 and 1980 Biennali di Venezia;
1976-77 ‘Man-trans-Forms,’ Cooper-Hewitt Museum, New York;
1977 Biennale di Sao Paulo;
‘Dal Cucchiaio alla citta 1983,’ Triennale di Milano; (Floor = Furniture bed) Affinita Elettiva at 1985 Triennale di Milano.
He received a special prize for his work on ‘Expo ’70’; 1967 and 1975 annual prizes of Architectural Institute of Japan;
1983 Interiors magazine award;
1986 gold medal, Royal Institute of British Architects; and others.
In 1978, elected an honorary member of Accademia Tiberina, Roma; American Institute of Architects;
Bund Deutscher Architekten in 1983.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
You may also be interested in
Born Charles Édouard Jeanneret, Swiss-born architect, designer and theorist, Le Corbusier was one of the most influential artistic figures in 20th-century architecture, publisher of the Esprit Nouveau Modernist newspaper in 1920, author of several influential books including Vers une architecture (1923), L’ art décoratif d’aujourd’hui (1925) and Les 5 points d (CIAM).
Yūsuke Aida (1931-2015) – Japanese ceramics designer and industrial designer – Encyclopedia of Design
Yūsuke Aida (1931-2015) was a Japanese ceramics designer and industrial designer. He studied town planning at Chiba University and ceramics under Ken Miyanohara. Working in the USA from 1961-64, he was chief designer at Bennington Potters, Vermont, where he executed its 1961 Classic range of industrially produced tableware, still in production today.