The following posts are a selection of French Designers that I have posted about over the last year. French design styles incorporate the new and the old. It is bold and sophisticated. It is attention to detail, whether a brooch, a clock, fabric, or glass.
The following designers offers an informative and interesting perspective on French design. The charm of French design is that it pervades all styles from traditional to modern and surprisingly it is diverse;
Serge Mouille was a French Lighting Designer; he was born and active in Paris. Mouille studied silversmithing, École des Artes Appliqués, Paris to 1941.
Clément Mère was born in Bayonne and active in Paris. He was a French painter, table-builder, artist and furniture builder.
He studied painting with Jean-Léon Gérôme at the École des Beaux-Arts in Paris.
Suzanne Belporren was a French jewellery designer. Her career flourished in the 1920s and 1930s. Belperron produced numerous designs of sculptured jewellery for René Boivin’s Paris shop. She subsequently opened her own Paris shop called Herz-Belperron. Her designs often featured glass encrusted with gemstones.
Phillippe Starck is one of the most widely known artist‐designer ‘names’ in the late 20th and early 21st centuries, Starck is one of France’s most fêted designers who has worked across a wide range of media. His work epitomises the intersection of art and design, its often fanciful qualities attracting both critical approbation and criticism, particularly in such commissions as pasta for Panzani (1987).
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy. Manufacturers wanted to stimulate demand for their products by offering customers new designs, and Loewy had an abundance of them with the ego to match. His mother had always told him, “It is better to be envied than pitied.”
Jacques Gruber (1870-1936) was a French stained-glass artist, designer, and teacher, born Sundhausen, Alsace. He studied at the Ecole des Beaux-Arts, Paris, under Gustave Moreau. He was distinguished as a designer in the Art Nouveau idiom.
Damon was located at 4 avenue Pierre-I-de-Serbie in Paris during the 1920s and 1930s. It was well-known for its innovative use of glass in lighting fixtures, with white glass designs that provided a dazzling effect without glare.
Paris, newly liberated from the German occupation, sprung to life during the 1950s as a centre for all modes of artistic endeavour, most notably in fine art, literature, and music. Its association with romantic literary figures such as Jean-Paul Sartre, Simone de Beauvoir, and Roland Barthes made the city incredibly appealing to every serious-minded man
Jan and Joel Martel (1896 – 1966) were twin brothers and French sculptors. They were born in Nantes and active in Paris. Cement, glass, steel, mirrors, ceramics, lacquers, and synthetics were all used in their projects.
Eric Anthony Bagge (1890 – 1970) was a French architect and designer. He was born in the town of Antony, near Paris.
The timeless appeal of French-country style, a gracious mingling of sophistication and comfort, spans generations. After years of mainly echoing the furniture, fabrics, and accessories associated with the Provence region, the French country is often far away from the primitive images of the early seventeenth century.
In the year 1861, Charles Plumet was born. As an architect, he built structures in the mediaeval and early French Renaissance styles. He worked on interiors and furniture designs in Art Nouveau styles with Tony Selmersheim (1871–1971). Between 1896 and 1901, Charles Plumet joined l’Art dans Tout (Art in Everything), an association of architects, painters, and sculptors who consciously attempted to renew decorative art, adopting styles ranging from adapted mediaeval to Art Nouveau.
Armand Point (1861-1932) was a Symbolist painter, engraver, and designer from France, one of the Salon de la Rose + Croix founding members.
Point’s first paintings were orientalist scenes of markets and musicians and scenes from his childhood in Algeria’s streets. In 1888, he moved to Paris to study under Auguste Herst and Fernand Cormon at the Ecole des Beaux-Arts.
He was a gilder at the Chambolle-Duru bindery for ten years. In 1903, set up his workshop at 99 boulevard St-Germain, Paris. Later he moved to 41 rue St-Andre-des-Arts and finally, in 1910, to 18 rue Seguier. A disciple of Henri Marius Michel, his work shifted from classical forms to motifs in the Art Nouveau style.
Monsieur Bijou was the moniker given to Robert Goosens, a French jeweller who lived from 1927 to 2016. He was born in Paris, France, the son of a metal foundry worker. He learned the techniques of casting, engraving, and embossing semi-precious and simulated stones into gold and silver metals during his apprenticeship in jewellery making.
With more than 80 stunning photographs, Masterpieces of French Jewelry offers a fascinating look at the most remarkable pieces that found their way into prominent American collections. Like all art, this delightful array of jewelry mirrors the evolving culture of its time. Chapters in this book explore jewelry of the Victorian Era and the Art Nouveau period of the early twentieth century; Art Deco; 1940s retro; up through the 1960s and more contemporary styles.
Maubossin is a jewellery company in France. The original company was established in 1827 in Paris, on Rue Grenata, where it manufactured jewellery. Starting in 1903, M.B. Noury was the owner and nephew of Georges Maubossin, who had been the director of the company since 1877. Mauboussin succeeded Noury in 1923, changing the firm’s name to Maubossin. At the intersection of rue Saint-Augustin, rue de Choiseul, and rue Monsigny in Paris, at address 3 rue de Choseul, he bought two connecting houses.
Primrose Bordier (1929 – 1995) was a French designer known for her colourful and innovative home textiles. She studied at the Atelier Charpentier in Paris.
Lucien Falize (1838- 1897) was French goldsmith and jeweller. He was active in Paris and son of Alexis Falize, father of Andre Falize. When his father retired in 1876, Lucien assumed directorship of the family business. He attempted to expand the business by showing at 1878 Paris ‘Exposition Universelle’ and becoming partners with Germain Bapst. In 1892, the partnership was dissolved.
In the early decades of the 20th century, Paul Poiret was a crucial figure in the French fashion industry, notably by adding a deep oriental flavour and rich colours to contemporary clothing.
Louis Rault (1847 – 1903) was a French Sculptor, engraver, silversmith and jewellery designer.Between 1868 and 1875, Rault worked in the Boucheron workshop on the Place Vendôme in Paris. At the end of the nineteenth century, he set up a workshop where he produced silver and jewellery in the Art Nouveau style.
Odilon Redon, the artist who at the age 73 outsold all but Marcel Duchamp at the 1913 Armory Show of “Modern French Art” in New York City.
Emile-Jacques Ruhlmann | “Sarrazin” Textile | The Metropolitan Museum of Art Ruhlmann used the same basic motif—a stylized Cedar of Lebanon tree set within an irregular circle—on this textile and related wallpaper (MMA 2005.334), though on the textile each motif is offset by an added circle of dots. The pattern was produced in alternate colorways.
Guillaume Saalburg was a French glassworker and engraver he was professionally active in Paris. Education He trained in a glass engraver’s workshop. Biography He worked as an architect and designer for business and domestic clients; collaborated with Philippe Starck, Jean-Michel Wilmotte, Gilles Derain, Richard Moyer, and Andree Putman: participated in the design of the hall
Jean-Maurice Rothschild (1902- 1988) was a French decorator and furniture designer. Between 1917-19, he studied at the Ecole Boulle, Paris. He began working in 1921 for Jacques-Emile Ruhlmann in Paris as a designer and artisan. He participated in the design of Ruhlmann’s ‘Hôtel du collectionneur’ at the 1925 Paris ‘Exposition Internationale des Arts Decoratifs et
Maison Gripoix, a French costume jeweller, was located in Paris. Around 1890, Maison Gripoix sold glass beads and buttons wholesale. Subsequently, specialised in handmade imitations of precious and semi-precious jewels, including parures for Sarah Bernhardt. When the molten glass is poured into a mould, rather than through the kiln-firing of a paste of ground glass
The French design world was excited by artists back in the 1930s and 1940s who created modern objects that combined up-to-the-minute allure with the authenticity of traditional crafts: hand-worked bronze, painstakingly applied lacquer layers, meticulously matched and polished wood. Interior shown in Interiors Magazine Skills like that may be dying out, but by producing furniture
The creation in 1901 of the Société des Artistes Décorateurs (SAD) reflected the increasing significance in France of this new profession of Decorative Arts. This resulted from a series of government-funded projects carried out in the fine and applied arts schools of France to improve the status of applied arts and training. In other countrecies,
Lucien Rollin was a French Designer. He designed a bedroom in the French pavilion at the 1939 New York World’s Fair. He was active in the Salons of the Société des Artistes Décorateurs – 1928-1937.
French artist Patrick Commecy is based in Eyzin-Pinet, France, but travels all over the country to paint walls. Using the facade of buildings as his canvas, he captures the history and culture of the place through his art. Commecy uses trompe-l’œil, a technique where realistic looking scenes are used to create optical illusions. Source: French