Hello Kitty a Japanese media franchise

Hello Kitty featured image

When the Japanese company Sanrio first launched “Hello Kitty” in 1974 as a greetings card for children, this patented brand cartoonlike image of a cat (a lucky emblem in Japan) was applied to over 1,000 products ranging from domestic appliances, computer keyboards, personal stereos, and credit cards to sweet wrappers, T-shirts, and eyelash curlers (see also branding).

Hello Kitty was even featured in the Japanese theme park Puroland in Tama City, Tokyo, alongside the puppy Pochacoo as a Sanrio mascot. Hello Kitty items have spread throughout the globe, from Hong Kong and other Southeast Asian nations to the United Kingdom, where she has appeared on t-shirts in Miss Selfridge and Top Shop as part of the Japanese Cute (‘Kawaii’) culture phenomena.

Club culture and young women have hijacked Hello Kitty as a sarcastic style statement, even though it is primarily oriented towards children by advertising all types of affordable giftware. She has been applied to more than 3,000 products worldwide. Since early in the 21st century, her output is an annual turnover of over $9 billion for Sanrio.

Woodham, J. M. (2006). A dictionary of modern design. Oxford University Press.

You may also be interested in

Japanese Design: Art, Aesthetics & Culture (Hardcover) – Encyclopedia of Design

By Patricia J. Graham This Japanese design book presents Japan’s arts, aesthetics and culture with over 160 stunning colour photos and extensive historical and cultural commentaries. The Japanese sensitivity has an intuitive, emotional attraction, whether it’s a silk kimono, a sparkling garden path, an architectural marvel, a teapot or a contemporary piece of art.

Osamu Tezuka (1928 – 1989) Japanese manga artist and cartoonist – Encyclopedia of Design

Osamu Tezuka (1928 – 1989), who was revered as the “god of manga,” watched Bambi eighty times, until he had memorised every frame, and dreamed of equaling or surpassing Disney realism in his own animation. The man most responsible for the rise of manga to its dominant role in postwar Japanese pop culture is Osamu Tezuka.

Comments are closed, but trackbacks and pingbacks are open.