Design Classic – Influential and important design
- Designer: Eero Saarinen
- Material: fibreglass-reinforced plastic and lacquered aluminum and upholstery.
- Manufacturer: Knoll Associates, New York
The Tulip Armchair (model 150), Eero Saarinen’s last furniture design, was part of a five-year-long series of chairs, stools, and tables based on a single cast aluminium stem or pedestal. Saarinen faced the problem of trying to treat the leg structurally and visually as part of the reinforced-plastic moulded seat shell with the help of a research team from the Knoll firm led by Donald Petit. This issue had plagued him since he and Charles Eames conducted their first experiments with moulded seat shells.
The Tulip Armchair is shaped like a tulip and also a stemmed wineglass. One of Saarinen’s major concerns was clutter, which was addressed by this one-legged chair. Describing his intentions to simplify and clarify the structure, he said: “The undercarriage of chairs and tables in a typical interior makes an ugly, confusing, unrestful world. I wanted to clear up the slum of legs. I wanted to make the chair all one thing again.” Each piece of furniture in the Tulip series was created by Saarinen with a single pedestal leg, resulting in a coherent set of chairs, tables, and stools.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Hiesinger, K. B., & Marcus, G. H. (1995). Landmarks of twentieth-century design: an illustrated handbook. Abbeville Press.
McDermott, C. (1997). Twentieth century design. Carlton.
Saarinen, E. (n.d.). Eero Saarinen. Tulip Armchair (model 150). 1955-56: MoMA. The Museum of Modern Art. https://www.moma.org/collection/works/2565.
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Eero Saarinen (1910 – 1961) Finnish architect. He was born in Kirkkonummi. He was professionally active in the USA. The son of Eliel and Loja Saarinen. 1930, he studied fine art, Paris, and architecture, Yale University, to 1934. He moved with his father to New York in 1923.
By Jari Jetsonen Eero, the younger Saarinen, designer of such masterpieces as the TWA Terminal Building at Kennedy Airport, and his father Eliel, renowned for triumphs such as the art nouveau railway station Helsinki, are architecture’s most prominent father-son duo.