Suprematism and De Stijl
El Lissitzky was a Russian-born designer and artist linked with various modernist organisations, including Suprematism and De Stijl.
Education
He studied architecture at the Technische Hochschule in Darmstadt (The Darmstadt University of Applied Sciences) from 1909 to 1914 and Riga Polytechnic from 1915 to 1916.
Biography
Before returning to Russia in 1915 and becoming an enthusiastic supporter of the Revolution, Lissitzky studied at Darmstadt (under Josef Olbrich) and met Henri van de Velde. In the early Soviet regime’s modernism, he became connected with Kasimir Malevich and Vladimir Tatlin. He moved to Switzerland in 1924 but returned to Moscow in 1925 to work on various exhibition projects in a constructivist style. He had a significant impact on modern typography and graphic design.
After 1930, he focused solely on teaching. His transparent PLASTIC chair from 1930 is a stunning early example of the material. He taught at the Vitebsk Popular Art School, where he worked alongside artists such as Marc Chagall and Malevich. Lissitzky also participated in exhibitions and international events, promoting the ideas of the Russian avant-garde.
In the 1930s, Lissitzky’s career was severely impacted by the rise of Stalinism and the increasing control of the Soviet government over the arts. Many of his colleagues and fellow artists fell out of favour, and Lissitzky’s work was deemed unacceptable by the authorities. He faced censorship and struggled to find opportunities to create and exhibit his art.
Exhibitions
At the 1917 ‘V mire iskusstv’ (‘World of Art’) exhibition in Petrograd, he displayed his ornamental paintings titled The Leader and Jericho. He participated in various exhibitions in Russia and abroad, including the ‘Erste Russische Kunstausstellung,’ Berlin, in 1922.
The “Erste Russische Kunstausstellung” (First Russian Art Exhibition) took place in Berlin, Germany, in 1922. It was a significant event that showcased the works of Russian avant-garde artists who were at the forefront of artistic innovation during that time.
His work was exhibited in 1976 in Cologne, at Galerie Gmurzynska in Cologne, and in 1977 at the Oxford Museum of Modern Art.
Sources
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Pile, J. F. (1990). Dictionary of 20th-century design. Facts on File.
More Russian Designers
The Historical Significance of AKhRR in Decorative and Applied Arts
The Association of Artists of Revolutionary Russia (AKhRR), later known as the Association of Artists of the Revolution, profoundly impacted Soviet and global arts through realism and socio-political allegiance.
Keep readingAnna Alexandrovna Leporskaia (1900 – 1982), Russian Decorative Artist
Anna Alexandrovna Leporskaia, a Russian painter and designer, studied at the Pskov School of Decorative Arts and designed the interior of the Cultural Center of the Industrial Cooperative.
Keep readingNaum Gabo: A Titan of Constructivist Art
Naum Gabo, a Russian sculptor, was a pioneer in constructivist art, studying at Munich University and teaching at Harvard University’s Graduate School of Architecture. His life and work exemplify artistic innovation and the power of art to shape societal structures.
Keep readingSerge Ivan Chermayeff (1900 – 1996) – Russian Designer
Serge Ivan Chermayeff was a Russian architect and designer who was active in Britain and the US in the 1920s, 1930s, and 1940s. Serge Ivan Chermayeff was a Russian-born British architect, industrial designer and writer who pioneered Modern industrial design and collaborated with Erich Mendelsohn. Chermayeff designed textiles, interiors, and exhibitions and painted, collaborating with…
Keep readingGustav Klutsis (1895 -1944) Photographic Montage
Gustav Klutsis was a Latvian artist and graphic, poster and applied arts designer who was a devoted supporter of the Boshevik regime and a member of the communist party. He was the pioneer of photomontage in the Soviet Union and an acclaimed graphic designer and painter. Influences included Suprematism and Constructivism.
LEARN MORE
Keep readingAgitprop – Design and Art Term
Agitprop art (or the art of agitation) was used to manipulate ideological beliefs, specifically to spread the ideals of Communism in Russia in the period immediately following the 1917 revolution. The term ‘agitprop’ (an abbreviation for agitation propaganda: ‘agitational propaganda’) was first used shortly after the Revolution, and the Communist Party established the Department of…
Keep readingOskar Petrovich Gryun (1874 – 1931) Russian 🇷🇺Textile Designer
Oskar Petrovich Gryun (1874 – 1931) was a Russian Textile Designer. Education He studied at the Central Art Institute of A. Stiglitz, St. Petersburg, to 1897. Biography Between 1899-1919 and 1922-31, he worked as a textile designer in the textile combine known as Troikhgornaya Manufacture, Moscow. He participated in several Soviet exhibitions abroad. Sources Byars,…
Keep readingVasilii Dmitrievich Ermilov (1884-1968) Russian architect and book set designer
Vasyl Dmitrievich Yermylov (Yermilov) (1894–1968) was a Ukrainian and Soviet painter, avant-garde artist and designer. His genres included cubism, constructivism, and neo-primitivism.
Keep readingMikhail Mikhailovich Adamovich (1884 – 1947) Russian porcelain designer
In 1907, Adamovich travelled to Italy to study decorative painting after graduating from Moscow’s Strogonov School of Art and Industrial Design. In 1909, he returned to Russia to paint murals in both St Petersburg and Moscow. He worked in the art department of the State Porcelain Factory after the First World War (known as the…
Keep readingAleksandr Rodchenko (1891 – 1956) Russian Painter and Designer
He was a proponent of the Russian constructivist art movement. The term ” constructivism” came about because the artists claimed they riveted the images together as engineers, not artists. In the early years of the Russian
Keep readingNikolai Mikhailovich Suetin, Russian artist, ceramicist and designer
Nikolai Mikhailovich Suetin (1897-1954) was a Russian artist, ceramicist, and designer. He was born in Metlevsk Station Kaluga. He was the husband of Anna Leporskaia. Between 1918-22, he studied Vitebsk Art School. He became a member of Kazimir Malevich’s Posnovis/Unovis group in 1919, and, with Il’ia Chashnik, was one of Malevich’s closest collaborators.
Keep reading
Comments are closed, but trackbacks and pingbacks are open.