Defining Asymmetrical Balance and Determining Its Use in Art and Design

A sense of formality and order can be expressed by symmetrical balancing. This may be seen in the White House’s architecture, which is a symbol of logic and permanence.

Design principles are the foundation of a good design. The design principles you learned will guide you in creating visual media. An efficient design will guide the viewer to see what you intend for them to look in the way you intended for them to see it.

One significant component of a good design is balance. A balanced composition is aesthetically pleasing.
Balance addresses the truth that while you can create focal points to emphasize certain parts of the composition, they will still see the entire structure. Balance involves making sure the piece functions by balancing both the positive elements and negative space.

Visual weight and direction go hand and hand with visual balance. Vision weight measures the amount the eye is drawn to a particular composition. On the other hand, visual direction describes how the eye perceives an element that would move in the physical world.

Good visual balance design assures that the viewer spends their time looking at components that you want them to by maintaining the piece’s balance. It helps keep their concentration, so they receive the intended information.

The type of balance that is most used to create a visually stimulating effect is an asymmetrical balance.

Two Types of Balance

When we evenly distribute all of the compositional parts of a piece around a central point, we achieve symmetrical balance. Draw an imagined line across the middle of a composition to obtain a sense of this. The item is said to be symmetrical if each side mirrors the other in some way.

A sense of formality and order can be expressed by symmetrical balancing. This may be seen in the White House’s architecture, which is a symbol of logic and permanence.

On the other hand, asymmetrical balance is not a lack of symmetry but rather the lack of any symmetry at all. The unequal distribution of visual weight creates an asymmetry. It can be seen in Japanese art being used effectively.

Why Use Asymmetry?

Asymmetrical balance is considered to be more lively, dynamic, and visually appealing. It sends a feeling of excitement, movement, and modernism.

 The logo designs for Youtube, Facebook and Nike are famous examples of asymmetrical balance.

This type of balance is more challenging to implement because it involves a complex relationship between the elements. This leads most designers to avoid asymmetrical design.

The asymmetrical design grabs the attention of viewers. Learning how to use it properly is essential for any designer. Tactful mixing of symmetrical and asymmetrical elements creates a right balance while still being bold.

Asymmetry is perfect to use for minimalist designs. The uneven visual balance contrasts with similar elements. It helps create movement because the eyes naturally take directional clues from the piece. This includes moving from heavier objects to smaller ones and from darker to lighter shades.

Should I Use Asymmetrical Balance?

The simple answer is, yes, you should.

But how?

There are a variety of ways to create an asymmetrical balance. You can use tone, texture, and weight.

  • make elements of different sizes
  • use texture to make an element appear heavier
  • use bold colors instead of muted colors
  • place elements near the corner or edge which gives a sense of heaviness

Color contrasts work well for geometric shapes, typography, and background.

The use of negative space can help you achieve asymmetrical balance. Space also creates an automatic asymmetry. The eye is drawn automatically to the visible components if there are a few elements and a lot of negative space.

The famous Google homepage is an example of a minimalist design.

For designers and artists, visual balance is critical. It’s how artists build their brand, advertise themselves, and communicate their message. The visitor may not be able to see all of the design elements and hence lose out on important information.

Asymmetrical balance provides fluidity and directs the viewer’s gaze to where you want it to rest. Understanding how to use colour efficiently produces flow. Flow can also be achieved by stressing movement. For organisation and appropriate alignment, some people utilise grids.

You’ll be able to apply asymmetry in a larger project with practice and patience. You’ll start making intriguing items that you enjoy as well.


The best ways to use symmetrical design … – (n.d.). Retrieved October 26, 2021, from

You may also be interested in

  • ‘Moderne’ Style of Art Deco Popular in the 20s & 30s

    ‘Moderne’ Style of Art Deco Popular in the 20s & 30s

    Moderne was a decorative style that was mostly about how things looked on the outside. Moderne architecture was most noticeable in public buildings like skyscrapers and movie theatres. Postmodernism later brought back a lot of the styles that were part of the moderne movement.Read More →

  • Slipware Pottery – what is it?

    Slipware Pottery – what is it?

    Slipware is pottery known by its primary decorating method in which slip is added before firing by dipping, painting or splashing on the leather-hard clay body surface. Slip is an aqueous clay body suspension that is a combination of clays and other minerals, such as quartz, feldspar, and mica.Read More →

  • Achilles Shield – Dictionary of Silverware

    Achilles Shield – Dictionary of Silverware

    A silver-gilt convex shield with a sizable central medallion depicting the shield of encrusted iron made by the god Hephaestus for Achilles at Troy, as it is described by Homer in Book 18 of the Iliad. The medallion, which depicts in high relief a figure of the Sun (Apollo) standing in a quadriga (a chariot drawn by four horses), is within a broad border decorated with a continuous frieze.Read More →

  • Academic Style – Dictionary of Silverware

    Academic Style – Dictionary of Silverware

    A style of decoration, developed in the United States, based on the copying of earlier English and French styles. The style was in the tradition of the Ecole des Beaux-Arts, Paris, the designs being precise and academic. It was introduced to flatware in the 1880s, initiated at the Gorham Company and occurs in hollow ware from the late 1880s, its use continued into the 1920s.Read More →

  • Ablution basin – ๐Ÿ“– Dictionary of Silverware

    Ablution basin – ๐Ÿ“– Dictionary of Silverware

    Ablution basin. A type of basin for holding water intended: (1) in ecclesiastical usage, for rinsing the hands or some object of church plate, such as a chalice; or (2) in secular usage, for rinsing the fingers at the dinner table (sometimes called a rose-water basin). Its founder donated two ecclesiastical ablution basins in 1515-16 to Corpus Christi College, Oxford. Bishop Richard Fox. See alms dish.Read More →

  • Anatomy of a Hallmark ๐Ÿค”

    Anatomy of a Hallmark ๐Ÿค”

    A hallmark is a symbol or device struck at an assay office on gold or silver, indicating that article conforms to legal standards of manufacture established by the monarch, local guilds, government etc. Literally, mark applied at Goldsmith’s Hall (London assay office since 1300) but extended to cover e.g. all five stamps found on Victorian silver until 1890: assay office mark specific to each assay office; Read More →

  • Pedestal Table inspired by ๐Ÿ›๏ธ classical architecture

    Pedestal Table inspired by ๐Ÿ›๏ธ classical architecture

    A pedestable table is originally the base support of a column, in classical architecture. A pedestal in furniture may have one of four definitions: Read More →

  • Lithography (Design Term)

    Lithography (Design Term)

    A method of printing from a design drawn directly on a slab of stone or other suitable material. The design is not raised in relief as in woodcut or incised as in line engraving, but drawn on a smooth printing surface. Initially, this surface was provided with a slab of unique limestone, but metal (usually zinc or aluminium) or more recently plastic sheets were prefered because they are less bulky.ย Read More →

  • The Symbolism of flowers

    The Symbolism of flowers

    For millennia, and among almost every culture, flowers and trees have been adopted as symbols, type and emblems of human groups and affiliations.ย  The “War of the Roses” the red and white roses which were the badges of Lancastrian and York rivals to the English throne.Read More →

  • Basse-taille – Design Term

    Basse-taille – Design Term

    Basse-taille is a method for enamelling the graves or graves low-reliefs on a metal surface,Read More →

  • Functionalism a design and architectural principle

    Functionalism a design and architectural principle

    With his motto โ€˜form follows function,โ€™ American architect Louis Sullivan is considered the founder of 20th-century Functionalism. Functionalism became a label for an extremely wide variety of avant-garde architecture and design in the first half of the 20th century, including Ludwig Mies van der Roheโ€™s classical Rationalism, Erich Mendelsohnโ€™s Expressionism, Giuseppe Terragniโ€™s unadorned, heroic structures, Frank Lloyd Wrightโ€™s organic architecture, and Le Corbusier’s Cubist solids. Read More →

  • Rya – Finnish Weaving Process

    Rya – Finnish Weaving Process

    Eva Brummer set up a studio in Helsinki in 1929 to revive the technique, which involves cutting the pile unevenly in order to create a thick relief effect. As rugs, the weavings became popular in the 1950s and were closely identified with the exuberant Scandinavian Modern style.Read More →

  • Ceramics a gift from the ancients

    Ceramics a gift from the ancients

    Ceramics are objects made of moistened clay, shaped and then baked. All ceramics are Earthenware, terracotta, brick, tile, faience, majolica, stoneware, and porcelain. Ceramicware is decorated with clay inlays, relief patterns on the surface, or incised, stamped or embossed designs. Read More →

  • Fibreglass exciting early design medium

    Fibreglass exciting early design medium

    Known as glass-enhanced plastic (GRP) in Britain, fibre-enhanced plastic (FRP) in the USA or by the trade name fibreglass (after the manufacturer Fibreglass Ltd.), GRP has been used for a wide range of applications from car body panels and boat hulls to furniture and tennis rackets. Read More →

  • What is the Pantone Colour Matching System?

    What is the Pantone Colour Matching System?

    The Pantone Colour Matching System is a system for identifying, matching and communicating colours across product design, graphic design and marketing. It utilises a unique numbering system for identifying its colours.Read More →

  • Gestalt – design from chaos to order

    Gestalt – design from chaos to order

    As a visual designer, I am fascinated how people process visual perceptual information. The designRead More →

  • Standardization of Design – Design Ideas

    Standardization of Design – Design Ideas

    Standardization is a critical feature of designs designed for industrial mass production. It allows componentsRead More →

  • Netsuke – Small Mythological carvings from Japan

    Netsuke – Small Mythological carvings from Japan

    Netsuke:ย A little Japanese sculptured item of ivory, wood, or porcelain that ranges in height and width from one-half to three inches. Mythological images, flowers, animals, gods, and goddesses are among the carvings. Netsuke pieces were initially employed as toggles in the fourteenth century. A cord was slipped under and over the obi and through a hole in the netsuke.Read More →

  • Exploring fractals and design

    Exploring fractals and design

    Fractals are intricate geometric structures created when patterns (or pieces of patterns) are altered and duplicated at ever-diminishing scales.ย  Besides having a tremendously important effect across a range of sciences, fractals make a stunning picture on your tablet. Even simple shapes can quickly grow complicated when they are altered again and again.ย  A close look can reveal endless variations of the same design theme.Read More →

Comments are closed, but trackbacks and pingbacks are open.