Affichiste is the name (literally ‘poster designer’) taken by the French artists and photographers Raymond Hains (1926-) and Jacques de la Villeglé (1926-), who met in 1949 and created a technique to create collages from pieces of torn-down posters during the early 1950s. These works, which they displayed for the first time in 1957, were called affiches lacérées (torn posters).
To produce precise images and effects, Villeglé manipulated the posters. Still, Hains left them more or less as he found them to illustrate the advertising world’s aesthetic bankruptcy. In the 1950s, other artists, particularly the Italian Mimmo Rotella and the German Wolf Vostell, adopted a similar technique.
Prints and Posters
* This website may contain affiliate links, and I may earn a small commission when you click on links at no additional cost. As an Amazon and Sovrn affiliate, I earn from qualifying purchases.
George Barbier Wall Art Prints – Ready to Frame
Miramande Sous La Neige/ Miramande under Snow 1933
“Harborfront,” ca. 1915-1917, Important French Cubist Modernist Watercolor, City
Neige a Gordes – 20th Century Cubist Oil, Snowy Winter Landscape by Andre Lhote c.1930
André Lhote – Original Signed Pastel – Woman 1940s
André Lhote – Original Signed Pastel – Lying Woman Circa 1920
André Lhote – Cubist Landscape – Original Etching 1946
Draugen by Theodor Kittelsen – Art Paper Print
The Princess Picking Lice from The Troll by Theodor Kittelsen – Art Print
More Design Terms
More design articles
You may also be interested in reading
Jacques Gruber (1870-1936) was a French stained-glass artist, designer, and teacher, born Sundhausen, Alsace. He studied at the Ecole des Beaux-Arts, Paris, under Gustave Moreau. He was distinguished as a designer in the Art Nouveau idiom. Between 1894-97 he worked for the Daum glassworks, designing intricate figurative vases; learned the art of engraving, rendering decorations for Wagner’s operas.
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy.