Fujina - Japanese Folk Pottery

Fujian Ware: A Cultural Heritage of Tamayu Town, Shimane Prefecture

Fujina ware, a distinctive style of pottery, emerged from the Fujina area in Tamayu Town, Shimane Prefecture. Its origins date back to 1750 with the establishment of a kiln by Funaki Yojibei Muramasa, marking the birth of this unique ceramic tradition.

Expansion and Official Recognition

In 1780, Tsuchiya Zenshiro Yoshikata, also known as the progenitor of the Uzen kiln, transitioned from Rakuzan ware to Fujina ware. Moving to Fujina, he was appointed as a domain-appointed pottery instructor by Matsudaira Harusato (Lord Fumai), a renowned tea master and the feudal lord of the Matsue Domain. Under Lord Fumai’s orders, the first official Fujina ware kiln was established, furthering the craft’s development and recognition.

Independence and Innovation

With the advent of the Meiji era, the domain’s support for the kiln ceased, leading to its transition into a private enterprise. The kiln adapted by producing everyday items, including pieces with a distinctive yellow background glaze adorned with colored artwork and others featuring a “Izumo blue background glaze.” This period marked a flourishing phase for Fujina ware, with significant success in domestic and international markets.

Impact of the Global Recession

The global recession of the Showa era led to the closure of many Fujina ware kilns. However, key figures such as Funaki Michitada and Fukuma Takashi found inspiration in the folk art movement led by Yanagi Muneyoshi. With guidance from luminaries such as Hamada Shoji, Kawai Kanjiro, and Bernard Leach, they navigated these challenging times to revitalize Fujina ware.

Connection to the Japanese Folk Pottery Movement

The revival of Fujian ware was intertwined with the broader appreciation for Japanese folk pottery during the 19th century. The remaining kilns began producing tea bowls with a characteristic bluish-green glaze, along with household items in white, yellow, or bluish-green hues. This diversification into items intended for urban markets played a pivotal role in elevating the status of Fujina ware as a significant element of Japan’s folk art heritage.

Conclusion

Fujina ware embodies a rich tapestry of Japanese ceramic art, marked by periods of innovation, challenge, and revival. From its early days in the 18th century to its evolution into a symbol of the Japanese folk art movement, it stands as a testament to the resilience and creativity of its artisans. The legacy of Fujina ware, with its distinctive glazes and historical significance, continues to contribute to the cultural heritage of Tamayu Town, Shimane Prefecture.