Ceramics

Fujina pottery example

Fujina pottery is made at Matsue, Shimane. 19th-century products include bluish-green tea bowls and white, yellow, or bluish-green domestic pottery. Later urban work promotes folk art.Read More →

Vase manufactured by the Eureka Pottery 1883 to 1887

The Eureka Pottery was the last commercial pottery constructed during the historic three decades during which potteries were established in Trenton. The company made the most beautiful majolica in Trenton. It was established in 1883 by Leon Weil, who Noah and Charles Boch succeeded. It was closed in 1887 due to fire, the constant enemy of potteries.Read More →

Moorcroft Pottery featured image

William Moorcroft started Moorcroft, a British art pottery manufacturer, in Burslem, Stoke-on-Trent, Staffordshire, in 1913.Read More →

Otto Lindig featured image

He was an enthusiastic supporter of the pottery workshop at the Bauhaus, contending that it should be included in the school’s curriculum. When it was separated into design and production workshops, Lindig supervised the latter, combining hand work and mass production approaches.Read More →

Trude Petri-Rabin featured image

From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).Read More →

Vase Grand Feu Art Pottery

Grand Feu Art Pottery, was founded in California by Cornelius Brauckman. Its output was of high quality and aesthetically distinctive. Generically, grand feu is ceramic ware fired at 2500°F (1400°C), maturing its body and glaze simultaneously. Grand feu is both porcelain and gres, and Grand Feu Art Pottery specialises in the latter.Read More →

Arzberg Porcelain Firm

Arzberg is regarded as one of the most prestigious porcelain design houses in the world. The definition of good design. Arzberg combines aesthetics, functionality, and durability.Read More →

Blue Dash Charger

Blue-dash charger is a large circular earthenware dish made in England (especially Bristol and Lambeth) in the late 17th century and early 18th. The name derives from the dashes of blue around the rims.Read More →

pottery wheel

A leading development in the world of craft and design that took some time toRead More →

Gien Pottery featured image

Gien Pottery. This company is often known simply as Gien Pottery, after its location in thatRead More →

Minton Ceramics Manufacturer

Thomas Minton bought a pottery in Stoke-on-Trent in 1793 and, in 1796, began production of inexpensive blue transfer-printed earthenware. His son Herbert Minton became director in 1836, expanded the range of wares, and hired artists. Read More →

Lucien Levy-Dhurmer Vase

Levy-Dhurmer may have been responsible for the rediscovery of the metallic lustre glaze technique used in Middle Eastern ceramics from the 9th century and in Hispano-Moresque pottery of the 15th century. However, the sheen on pieces by Massier and Levy-Dhunner has not lasted. He used primarily light-coloured earthenware with gold highlights and sombre-glazed stoneware. Read More →

Dorodango ball

The hand-rolling of this soil-based mixture can be relaxing and comfortable to do. Dorodango is not without its difficulties and needs a high degree of skill, patience and concentration. Given the fragility and inclination of the dorodango to break, the perfectly formed ball is elusive. It can also be a challenging process to achieve the perfect shine.Read More →

Model by Charles John Noke featured image

He modelled vases (including Columbis and Diana) and figures from 1893 to 1898. (including Holbein and Rembrandt vases). With Cuthbert Bailey and John Slater, he experimented with the reproduction of Sung, Ming, and early Ch’ing dynasty blood-red rouge flambé and sang-de-boeuf glazes from the late 1890s to the early 1900sRead More →

Marblehead Pottery featured image

Herbert J. Hall founded the Marblehead Pottery in 1904 as one of several “handcraft shops” that offered occupational therapy to “nervously worn outpatients.” The shops specialised in hand-weaving, woodcarving, and metalwork, with pottery being the most popular.Read More →

Grethe Meyer ceramics featured image

She worked on the editorial staff of The Building Manual from 1944 to 1955. She was a crucial figure in Borge Mogensen’s research on the standardisation of consumer product sizes, and she collaborated with him frequently. They created the Boligens Byggeskabe (BB) and resund cabinet-storage systems in 1957.Read More →

Serving plate with two fish, 1951 designed by Nora Gulbrandsen

She was born to Aksel Julius Hanssen and Anna Sofie Lund in Kristiania (now Oslo), Norway. From 1917 until 1922, she was married to wholesaler Carl Ziegler Gulbrandsen (1892–1976). She married Otto Delphin Amundsen, an engineer and genealogist, in 1943.Read More →

She designed the Hallesche Form tea and coffee set for KPM in 1930, which was a huge commercial success, especially with Trude Petri’s gold rings (1931) decor.Read More →

Wedgwood Ceramics

He started by producing basic tableware, but by 1759, he had expanded to include beautiful items like classical vases and portrait busts. He was one of the first producers to hire artists to create product designs.Read More →

Ernest Chaplet featured image

Ernest Chaplet (1835 – 1909) was a French ceramicist, an early studio potter’ who mastered slip decoration, rediscovered stoneware, and conducted copper-red studies. From 1882 to 1885, he was the director of Charles Haviland’s workshop to study decorative processes, where he collaborated with artists such as Paul Gauguin. He eventually moved to Choisy-le-Roi, where he focused on porcelain glaze studies.Read More →