The most ambitious survey of its subject ever published, The Art of Things is a monument and a key to the objects surrounding us.
For most of human history, the form of a helpful object was determined by its maker, usually a single artisan working within a long cultural tradition. However, the Industrial Revolution saw the development of a curious new profession, that of the designer, whose job was to decide the appearance and even the functional aspects of goods—whether typewriters or tableware—manufactured by others or, increasingly, by machines. When the so-called consumer society emerged in full force after World War II, designers took centre stage; some, like Charles and Ray Eames, became celebrities and icons of the new lifestyles they were helping to create.
Within the burgeoning design community, national tendencies emerged: The Germans and the Swiss, heirs to the Bauhaus, favoured a modernist aesthetic in which form followed function, and the Scandinavians pioneered a warmer type of functionalism with their distinctive wooden furniture. The U.S. pursued a double strategy, in which home furnishings influenced by European modernism coexisted with frankly exuberant cars and kitchen appliances. Meanwhile, the Japanese consumer electronics companies took an early lead in the branch of industrial design that is perhaps most influential today—and is probably best represented by the image of Steve Jobs holding an iPhone aloft before an adoring crowd.
The most ambitious survey of its subject ever published, The Art of Things is a monument and a key to the objects surrounding us. This splendid hardcover, slipcased volume, itself a striking object, narrates the history of modern design in each of the major industrialized nations in turn. Its engaging text, written by leading design historians, is accompanied by more than 650 vibrant colour plates, illustrating iconic designs and lesser-known but still influential creations.