Pop Art

Pop Art

Pop Art

By Tilman Osterwold

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Less a distinct style than the concrete expression of being in a particular era, Pop art began as a revolt against mainstream approaches to art and culture. It evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork.

The movement’s immediate provocation was to defy ideas of the artistic canon or “originality” by integrating mass-market imagery into their works. Whether advertising slogans, famed Hollywood faces, comic-strip-style characters, or the packaging of consumer products, Robert Rauschenberg, Claes Oldenburg, Andy Warhol, and Roy Lichtenstein knowingly reproduced mundane, everyday images from popular culture.

At the same time, Pop-art reduced the role of the individual and challenged the notion of originality by deploying mass production techniques such as screen printing. Like a hall of mirrors, the resulting works came to interrogate both the ideas and desires of contemporary culture and its state of simulacra, whereby images, substitutes, and representations come to define the experience of “reality.”

Tilman Osterwold explores the Pop Art phenomenon’s styles, sources, and stars in this book. From Lichtenstein’s comic-book aesthetics to Warhol’s images of Marilyn, it explores how a movement that interrogated the icons of its time came to produce icons of its own.

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