The London Underground is the world’s oldest subway, most people know it colloquially as the Tube. An engineering marvel and just as almost as famous is the map. The Tube map is instantly recognisable all over the world. It is a simple and elegant diagram of the 400-kilometre subway network. It is considered by many as one of the great images of the 20th century.
The 1980s in Britain were marked by an apparent economic rebound and a newfound enthusiasm among Britons for business, risky capitalism, and design. Design was pushed as a fundamental ingredient to financial success by a new generation of design entrepreneurs, one of them being Michael Peters.
British potters have revitalized traditional ceramic forms for nearly a century by creating or reinventing techniques, materials, and display methods. Things of Beauty Growing delves into the primary vessel typologies that have defined studio ceramics from the early twentieth century, such as bowls, vases, and chargers.
The Festival of Britain (FOB) was seen both as a public morale booster and an opportunity to remind the world of Britain’s contribution to civilisation, history, and technological development in the past, present, and future. It took place on the South Bank of the River Thames. The Council of Industrial Design (COID) provided an essential stage for promoting well-designed British products in its national push for economic recovery in the post-Second World War era, especially on the main South Bank, London, more specifically in terms of design.
He co-founded Branson Coates Architecture with Doug Branson in 1985 before opening his architecture and design studio in 2006. He was a partner in the Branson Coates architecture and design studio and the founder of the radical NATO (Narrative Architecture Today, established in London in 1983) design group (established in 1985).
He was in private practice since 1932. Wallpapers, domestic machine-pressed glassware for Chance Bros., 1953 coronation hangings for Westminster Abbey, gold and silverwares, ceremonial metalwork, glassware for King’s College, Cambridge, 1961 metal-foil murals for the oceanliner Canberra, engraved and sandblasted glass murals for Pilkington.
The Royal Festival Hall, London, is an enduring legacy of the cultural optimism of the Festival of Britain, seven decades ago. In 1948, a hand-picked team of architects was brought in by London county council (LCC) to design the concert hall on the South Bank in which the festival would hold its main show.