The Eureka Pottery was the last commercial pottery constructed during the historic three decades during which potteries were established in Trenton. The company made the most beautiful majolica in Trenton. It was established in 1883 by Leon Weil, who Noah and Charles Boch succeeded. It was closed in 1887 due to fire, the constant enemy of potteries.Read More →
He worked in the family firm Ceramica Franco Pozzi in Gallarate from 1951 and redesigned its traditional products in an award-winning Functional style. His widely published 1970 Compact stacking coffee service was designed for machine production in three sizes. He set up his design practice, where clients included Riedel, Rossi, Guzzini, Pierre Cardin, Rosenthal, Norex, La Rinascente department store, and Alitalia. Read More →
He learned to throw pottery from William Fishley Holland at the Braunton Pottery, North Devon, 1921—22. In 1923, he met Bernard Leach and Shoji Hamada at St. Ives.Read More →
He was an enthusiastic supporter of the pottery workshop at the Bauhaus, contending that it should be included in the school’s curriculum. When it was separated into design and production workshops, Lindig supervised the latter, combining hand work and mass production approaches.Read More →
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).Read More →
Grand Feu Art Pottery, was founded in California by Cornelius Brauckman. Its output was of high quality and aesthetically distinctive. Generically, grand feu is ceramic ware fired at 2500°F (1400°C), maturing its body and glaze simultaneously. Grand feu is both porcelain and gres, and Grand Feu Art Pottery specialises in the latter.Read More →
Edward Lycett (1833 – 1910) was a British Ceramicist. He was born in Newcastle under Lyme. He was professionally active in New York.Read More →
The Faience Manufacturing Company was an American manufacturing company that operated between 1880 – 1892 in the Greenpoint area of Brooklyn, New York. There is little evidence of the remains of the Company as it failed in 1892.Read More →
She was a juror of the 1922 Carnegie International competition, Pittsburgh. She designed both the shapes and the decorations for the 1933—34 Circus range of tableware produced by Arthur J. Wilkinson, Burslem, under Clarice Cliff’s supervision.Read More →
Ceramics are objects made of moistened clay, shaped and then baked. All ceramics are Earthenware, terracotta, brick, tile, faience, majolica, stoneware, and porcelain. Ceramicware is decorated with clay inlays, relief patterns on the surface, or incised, stamped or embossed designs. Read More →
Blue-dash charger is a large circular earthenware dish made in England (especially Bristol and Lambeth) in the late 17th century and early 18th. The name derives from the dashes of blue around the rims.Read More →
A leading development in the world of craft and design that took some time toRead More →
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms. Read More →
Suehari Fukami (b.1947) is a Japanese studio potter based in Kyoto. He works in the bluish-white porcelain known in Japanese as seihakuji, developed in the Song dynasty JINGDEZEN wares. Read More →
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.Read More →
In the early 1900s, he was a designer for Porsgrunds Porselaensfabrik, Porsgrunn. In 1882 Kittelsen was granted a state scholarship to study in Paris. In 1887 he returned to Norway for good. When back in Norway, he found nature to be a great inspiration. He spent the next two years in Lofoten, where he lived with his sister and brother-in-law at Skomvær Lighthouse. Kittelsen also started to write texts to his drawings there. Read More →
Alexandre Bigot (1862-1927) was a french ceramics manufacturer. He was initially a physics and chemistry teacher. Read More →
Joseph Mougin decided to become a ceramicist after seeing an exhibition of Jean Carriès’s pottery in 1894. He set up a studio and a kiln in Montrouge with the help of sculptor friend Lemarquier and his brother Pierre Mougin.Read More →
Gien Pottery. This company is often known simply as Gien Pottery, after its location in thatRead More →
He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.Read More →