Zandra Rhodes studied lithography and printing at Medway College before going on to the Royal College of Art to study textiles, graduating in 1964 during the height of the pop movement. She made a paper wedding dress that cost less than two shillings, motivated by this trend and the work of painter Roy Lichtenstein in particular (about 7 new pence). In 1967, paper clothing was all the rage: it was the ultimate representation of disposable apparel.
Judith Leiber (1921 – 2018) was a prolific designer whose fanciful minaudières had accessorised royalties, first ladies, and film stars, and entered the collections of art the Metropolitan Museum of Art. While her couture handbags—carried by celebrities such as Greta Garbo, Elizabeth Taylor, Claudette Colbert, Björk, and Barbara Walters—are widely regarded as works of art, Leiber preferred the word “artisan” to “artist.”
Mary Quant, a pivotal figure in British fashion design, studied art and design at Goldsmiths College of Art from 1952 to 1955 while also taking evening classes in clothing construction and cutting. In 1955, in Knightsbridge, London, she established her first shop Bazaar on King’s Road, followed by the second shop Terence Conran designed in Knightsbridge.
One of Patou’s most famous customers was the French tennis champion Suzanne Lenglen, whom he dressed both on and off the court. This lean and active young woman epitomised the 1920s “new woman.” She created a furore in 1921 when she wore Patou’s knee-length pleated skirt, which revealed much of her legs when she ran. The headband she wore while playing tennis was widely copied by women throughout the 1920s for day and evening wear.
Montana’s career in fashion began almost accidentally; he moved to London in the early 1970s “to escape studying,” having no plans and no work visa. Raising money by selling rhinestone-studded papier mache jewellery, he met a Vogue editor by happenstance and had his work featured in the magazine.
Geoffrey Beene (1927 – 2004) was an American fashion designer; born Haynesville, Louisiana. He was a premed student at Tulane University when he found himself sketching gowns when he became bored during his lectures. Along with Bill Blass, he was regarded as the Godfather of American sportswear.
Zandra Rhodes is known for her creativity and talent worldwide, and it is images and impressions from all around the world that has so often inspired her art. Images have met her eye and been interpreted through her own very personal vision, boldly pushing their way into the highest levels of fashion, from an aerial view of a Mexican sombrero to the wiggle of the Great Wall of China.
American Fashion is the definitive book on the country’s fashion culture, spanning eight decades and featuring the work of more than 100 designers. American Fashion is a visual journey through classic and fresh photographs by the century’s most outstanding photographers and illustrators, followed by essays defining nearly a century of fascinating culture, commissioned by the Council of Fashion Designers of America (CFDA).
My love for designing was unearthed as my grandad was a tailor and I was fascinated watching him create these impeccably tailored suits. every stitch, every detail, cut and construction showed true craftsmanship. I learned the value of good design principles, the importance of the right cut, and the quality of the finish.
Kirk self-identified as Armenian despite being born in Los Angeles and raised in New England. One of his Armenian ancestors, Vemian, was a jeweller to the Turkish court. Some of his works are on display at Istanbul’s Topkapi Museum. His grandfather worked for Lalique Glass in Paris as a chief artist.