Alexey Brodovitch (1898 – 1971) was an American/Russian graphic designer and magazine art director. Alexey Brodovitch was born in Russia and worked in Paris in the 1920s, creating books, posters, furniture, and advertising. He moved to America in 1930 and worked as the art director of Harper’s Bazaar magazine in New York after a brief stint of teaching and advertising.
The 1980s in Britain were marked by an apparent economic rebound and a newfound enthusiasm among Britons for business, risky capitalism, and design. Design was pushed as a fundamental ingredient to financial success by a new generation of design entrepreneurs, one of them being Michael Peters.
Herbert Bayer (1900–1985) was one of the most influential graphic designers of the twentieth century, with a prolific career spanning more than six decades and two continents. As a student and teacher at the Bauhaus, he used geometry, photomontage, functional analysis, and simplified typography to forge a new approach to graphic design. This book explores the evolution of Bayer’s design process, from his student works featuring hand lettering to mechanically printed typography and hyperreal photo illustrations.
Renowned American graphic designer, Herb Lubalin, best known for his collaborations with Ralph Ginzburg on the magazines Eros, Fact and Avant Garde, is regarded as one of the seminal designers of the 20th century. The, 17 March 2018, will mark what would have been Lubalin’s 100th birthday.
Adrian Frutiger was a Swiss graphic designer and typographer. Frutiger created some of the most widely used fonts of the 20th century, and they can be seen daily in airports on street signs and in subway stations. He was the creator of many internationally known and loved fonts such as Avenir, Frutiger, Univers and Vectora.
Nikolai Mikhailovich Suetin (1897-1954) was a Russian artist, ceramicist, and designer. He was born in Metlevsk Station Kaluga. He was the husband of Anna Leporskaia. Between 1918-22, he studied Vitebsk Art School. He became a member of Kazimir Malevich’s Posnovis/Unovis group in 1919, and, with Il’ia Chashnik, was one of Malevich’s closest collaborators.
Vault Editions’ pictorial archive includes more than 540 engraved and printed European and British emblems, symbols, and coats of arms dating from the 17th, 18th, and 19th centuries. You can expect to find many detailed images, including snakes, skulls, eagles, devils, memento mori, dragons, serpents, hourglasses, anchors, globes, hammers, hands, lions, crosses, banners, borders, ornaments, insignias, and more.
German-born, Tschichold is one of the most outstanding and influential typographers of the 20th century, He cleared away the old typography of pre-1925 and made room for a modern, structured and regulated new typography. His work is characterised by rigorous structure, asymmetrical placement of contrasting elements, and layouts based on horizontal and vertical underlying grids.
Gustav Klutsis was a Latvian artist and graphic, poster and applied arts designer. Born in 1895 Klutsis was a devoted supporter of the Boshevik regime and he was a member of the communist party. He was considered the pioneer of photomontage in the Soviet Union and an acclaimed graphic designer and painter. Klutsis was one of the earliest artists to use the photomontage technique for visual propaganda. He subsequently emerged as a brilliant creator of Stalinist political art.
In the turbulent days of May 1968 in Paris, a group of artists calling themselves the Atelier Populaire created posters that were vital in spreading the call to unite student and workers. The propaganda of the French revolt was fed by immediate pressures. The day by day events – the disruption of classes at Nanterre University led by Daniel Cohn-Bendit, the supporting student demonstrations in Paris, the police invasion of the Sorbonne and its occupation by students, the barricades, and the government’s reaction and referendum…