Albers with “Interactions of Color,” made it his life work to translate the knowledge gained from existing theories and the results from his personal research into a practical course on the action and interaction of colour.Read More →
The wrongness of images, or our apperceptions of them: What appears to be a painting is actually a photograph. What appear to be two-dimensional painted lines, curves, rectangles, arabesques, planes of color, or abstract geometries with trompe l’oeil shadows are in fact three-dimensional objects carefully arranged, brightly illuminated, and flattened into a beguiling single plane by the lens of a camera.Read More →