Bertel Gardberg was a Finnish jeweller and metal worker. Between 1938-1941 he studied at Taideteollin Korkeaukoulu, Helsinki. He began his working life in Copenhagen. Gardberg moved to Helsinki where he maintained a studio between 1949-1966. He was responsible for stainless steel and silver designs produced by the Georg Jensen Solvsmedie; Galeries Lafayette department store, Paris and Kilkenny Design workshops, Dublin. Although he was known for his metal wares, he also worked in wood and stone.
Christian Dell (1893–1974) was a German silversmith. Dell was born in Hesse’s Offenbach am Main. In the 1920s, Dell ran the metal workshop at the Bauhaus University, and his designs are, in line with the Bauhaus style, characterised by modern shapes and functionality. After his successful stint as an industrial designer, Dell returned in the late 1940s to his original profession as a silversmith.
Donaldson taught design, metalwork and jewellery at numerous schools in and near Los Angeles, including his first position, director of manual arts, Throop Polytechnic (succeeded by Rudolph Schaeffer). Subsequently, he was a teacher at the new Chouinard School of Art and head of the art department, Los Angeles Manual Arts High School.
His jewellery designs of a kneeling deer, a dolphin in the rushes, and butterflies on a flower, which he created in 1937, were produced for many years. In 1940, he created the ‘Kingmark’ to commemorate King Christian’s seventieth birthday. It was mass-produced and worn by Danes to demonstrate their allegiance to Denmark and opposition to the German occupation.
Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles.
Gunilla Jung was a glass and lighting artist and Silversmith. She designed glassware for Karhula (later Iittala) in the 1930s at the Institute of Applied Arts in Helsinki. Maybe best known for her pioneering lighting projects, such as in Helsinki’s Savoy Theatre.
Taito created her first silver designs and, later in the 1930s, others by Viri and Kultaseppät. She worked with Frans Nykänen, who at varying times was a director at both silversmithies.
Leven studied at the Kunstgewerbeschule and then at the Düsseldorf Art Academy. He worked in his father Louis Leven’s studio for a time, had numerous contacts with French artists who had a strong influence on him, and quickly became known. Engelbert Kayser hired him as the first employee in his studio. From 1895 to 1904, Leven designed numerous models for Kayserzinn; his works had a lasting influence on the Art Nouveau pewter foundry. He also worked for the Kreuter company in Hanau and other companies that manufactured metal, silver and earthenware, such as B. Koch & Bergfeld and WMF.
The outbreak of the Second World War created significant difficulties during the early stages of restoration, leading to the closure of the NKA (Contemporary Products Department), but by the early 1950s, the company was back on track. Many of Wilhelm Wagenfeld’s WMF creations date from these years.
Samuel Yellin was born in the Russian Empire in 1884 to a Jewish family in Mohyliv-Podilskyi, Ukraine. He was apprenticed to a master ironsmith when he was eleven years old. He finished his apprenticeship at the age of sixteen in 1900. He left Ukraine shortly after and travelled across Europe. He arrived in Philadelphia, Pennsylvania, in approximately 1905, where his mother and two sisters had already settled; his brother arrived around the same time. Samuel Yellin began taking classes at the Pennsylvania Museum School of Industrial Art in early 1906. Within a few months, he was teaching there, a job he held until 1919.
In 1927, he started working for Baudet, Donon et Roussel, a carpentry and metal construction workshop. He was in charge of the new wrought iron section. Grillework, tables, chairs, consoles, screens, lighting, and firedogs were all designed and manufactured by him. Poillerat’s metalwork was rendered in characteristic winding calligraphic forms in various media ranging from jewellery to clothing.
Sigurd Persson (1914–2003) was a Swedish sculptor, blacksmith, and professor who is regarded as one of the twentieth century’s most influential Swedish designers. Growing up in a goldsmith family, Persson founded his studio in Stockholm in 1942. Throughout his long career, he crafted objects in various materials ranging from metal to glass to plastic.
Paul Howard Manship was an American Sculptor. He was influenced by Hindu and Buddhist Indian Sculpture.
He began his artistic education at the St. Paul School of Art in Minnesota, and he attended the Pennsylvania Academy of Fine Arts before moving onto New York City’s Art Student League. Throughout his subsequent career, he created more than 700 sculptural pieces in stone and marble.
Albert Paley (born 1944) is an American modernist metal sculptor. Starting as a jeweller, he has evolved into one of the world’s most renowned and famous metalsmiths. Furniture, gates, railings, and staircases are among his creations. He consults with architects and space planners, and he leads a team of craftspeople in his Rochester, New York, facilities.