Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents. Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. He designed the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography.
He specialised in developing industrial furniture for public contexts like schools and government buildings after WWII. He exhibited his whole body of work at both the Salon des Artistes Décorateurs and the Salon des Arts Ménagers. Hitier also created luxury and high-end home furnishings.
Francis Jourdain (1876 – 1958), the son of architect Frantz Jourdain, was born on November 2, 1876. His father created the Salon d’Automne collection. He benefited from his parents’ friendships with prominent intellectuals (Émile Zola, Alphonse Daudet) and artists of the time (the circle of Alexandre Charpentier).
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world’s fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people.
He set up his workshop at 12 rue Saint-Bernard in Paris, where he produced cabinets, rugs, drawings, and paintings. In 1930, he rendered the interior scheme of the boudoir of the Princesse de la Tour d’Auvergne in the Château de Grosbois, the private office of Jeanne Lanvin, the reception salon of Field Marshal Lyautey, and the arrangement of the Musée de la France d’Outre-Mer on the occasion of the 1931 Paris ‘Exposition Coloniale.
Monsieur Bijou was the moniker given to Robert Goosens, a French jeweller who lived from 1927 to 2016. He was born in Paris, France, the son of a metal foundry worker. He learned the techniques of casting, engraving, and embossing semi-precious and simulated stones into gold and silver metals during his apprenticeship in jewellery making.
The École Boulle was created in 1886 and is named after the cabinetmaker André-Charles Boulle, who during the reign of Louis XIV (1643-1715), the Sun King, was commonly considered to be the preeminent artist in the field of marquetry or inlay. The art of André-Charles Boulle is regarded today as “Boulle Work”.
Phillippe Starck is one of the most widely known artist‐designer ‘names’ in the late 20th and early 21st centuries, Starck is one of France’s most fêted designers who has worked across a wide range of media. His work epitomises the intersection of art and design, its often fanciful qualities attracting both critical approbation and criticism, particularly in such commissions as pasta for Panzani (1987).