She studied under A. Radakov at the Pskov School of Decorative Arts in 1918. From 1922, she studied under K. Petrov-Vodkin, A. Savivov, and V. Sinaiskii at the Petrograd Academy of Arts.Read More →
Agitprop art (or the art of agitation) was used to manipulate ideological beliefs, specifically to spread the ideals of Communism in Russia in the period immediately following the 1917 revolution. The term ‘agitprop’ (an abbreviation for agitation propaganda: ‘agitational propaganda’) was first used shortly after the Revolution, and the Communist Party established the Department of Agitation and Propaganda in 1920.Read More →
Kristina Makeeva, a Moscow-based photographer, took a series of images on Russia’s Baikal Lake. When the lake freezes over in the winter, methane and oxygen bubbles from the plants freeze and create an incredible representation. The majority of? Tourists can take a walk on the frozen ground and take interesting photographs.Read More →
In 1907, Adamovich travelled to Italy to study decorative painting after graduating from Moscow’s Strogonov School of Art and Industrial Design. In 1909, he returned to Russia to paint murals in both St Petersburg and Moscow. He worked in the art department of the State Porcelain Factory after the First World War (known as the Imperial Porcelain Factory before the Russian Revolution and, after 1925, the Lomonosov State Porcelain Factory).Read More →
In the early days of the Bolshevik revolution artists in their teens and early twenties passionately connected themselves to the collectivist goals of communism. Their motives certainly combined idealism with opportunism – a chance to ride the aesthetic revolution to fame on the political upheaval.Read More →
Abramtsevo Art Colony was located about 40 miles from Moscow, this colony of Russian artists was involved in reviving Russian folk art and national culture for much of its history. It was at its most dynamic in the later 19th century.Read More →