Stanley Morison, widely regarded as one of the most influential typographic designers of the twentieth century, was drawn to the subject by his passionate interest. Early on, he worked for several publishers and printing houses, including Francis Meynell’s Pelican Press and the Cloister Press.
German-born, Tschichold is one of the most outstanding and influential typographers of the 20th century, He cleared away the old typography of pre-1925 and made room for a modern, structured and regulated new typography. His work is characterised by rigorous structure, asymmetrical placement of contrasting elements, and layouts based on horizontal and vertical underlying grids.
The Universal Typeface Experiment is a promotional website sponsored by Société Bic, the Bic pen’s manufacturer. The website crowdsources a typeface from smartphone users who use a touchpad and a newly modified BIC pen named the Crystal Stylus, a touchpad-friendly rubber tip, to enter their handwriting on the website.
These posters by Robin Weissenborn are not new, they were designed in 2015 and awarded in an international poster competition. The graphic designer, who was studying at the prestigious Bauhaus university at the time, designed a series of posters using experimental typography and cool distorted perspectives.
Helvetica is the name of the world’s most famous architectural typefaces. Paul Gapp a former architecture of the Chicago Tribune rather unkindly said it has, “no frills, no curlicues, no personality. It is neutral, anonymous and dull.” Helvetica, however, has grown into a global phenomenon exhibiting both corporate and cool. Part of its charm is that it is so neutral.