Cary’s father moved to the Adirondacks area of New York State in the year 1845. In 1874, Brandreth asked Cary to make him 24 chairs with slatted backs, plain turned legs, and splint seats in a traditional style. Cary may have made some of the rustic furniture in the cottages at Brandreth Park.Read More →
John Mascheroni has been designing furniture for his entire career, recognized for his design acuity and modernism. LEARN MORERead More →
He was a designer for furniture maker Herter Brothers, commissioned by the company to furnish the New York William H. Vanderbilt House, 1881-83. LEARN MORERead More →
The furniture designed by Sam Maloof can be found in every imaginable place in the United States, from boardrooms to bungalows, from the White House to the Smithsonian. READ MORERead More →
The term mission furniture was first popularized by Joseph P. McHugh of New York, a furniture manufacturer and retailer. The word mission references the Spanish missions throughout colonial California. The style became increasingly popular following the 1901 Pan-American Exposition in Buffalo.Read More →
George Nelson (1907 – 1986) was an American industrial designer. His Storagewall shelf system, which he made in 1945, changed the way offices worked. The Marshmallow sofa from the 1950s is one of his best-known pieces.Read More →
Frank Miller built the Mission Inn for people passing through California in the 1800s. It’s a Spanish-colonial-style hotel, which has been remodelled many times over time, with plenty of onsite production – such as balconies, light fixtures, and door handles.Read More →
In 1934, he worked in the Indian office of American architect Antonin Raymond. In 1937, in the Tokyo office, he studied Japanese carpentry techniques. In 1941, he set up his first workshop in Seattle. In 1942 in Idaho, Nakashima studied with an old Japanese carpenter until Antonin Raymond arranged his release. Read More →
Wilton C. Dinges founded the Electric Machine and Equipment Company (Emeco) in 1944 with $300 in savings and a used lathe for machine work. He started bidding on government manufacturing contracts out of a loft in Baltimore, Maryland, beginning with experimental antennas and jet engine parts. Read More →
Eight years into their collaborative relationship, New York-based designer Marc Thorpe is launching his latest piece for Moroso for their outdoor collection called Moroso M’Afrique. DayTrip comprises various components that are used as low tables and benches that pay homage to the Italian brand’s multi-cultural ethos. The design allows the user to create a composition for themselves, giving them ownership of the product and design for which they can use with others.Read More →
First developed by lifelong couple and design partners Charles and Ray Eames in 1956, the lounge chair was the duo’s interpretation of a 19th-century club chair—designed to resemble a worn first baseman’s mitt and made of high-quality materials like supple leather, wood veneer, and cast aluminum.Read More →
In 1951, he became a member of Knoll’s design development group. Initially, he collaborated on the wire Diamond sitting collection with Harry Bertoia. Schultz designed the Petal table in 1960, steel-wire lounge chairs in 1961, and outdoor Leisure Collection seating and tables in 1966 for Knoll. He designed a 1981 collection of outdoor furniture while pursuing his passion for the outdoors.Read More →
The event will follow in fashion with the first initial debut of the concept where one could find vintage products, reprints of Mr. and Mrs. Eames, special projects and collaborations. There will be four sections namely the “Eames House” which looks into the couple’s own residence, “Architecture & Interiors,” “Art & Technology” which introduces their sculptures and furniture works and “Play & Learn” for products that give a sense of playfulness and curiosity. Read More →
As a result, his sculptural furniture and furnishings are his most well-known works. For his leadership in designing non-traditional designs and supporting and inspiring artists/craftspeople by example, Esherick was dubbed the “dean of American artisans” by his peers during his lifetime. Esherick’s impact can still be apparent in contemporary artisans’ work, especially in the Studio Craft Movement.Read More →
Lisa Krohn studied three-dimensional form with Rowena Reed Kostello, New York, between 1985 and 1986. From 1985 to 1985, she studied art history and visual arts at Brown University in Providence, Rhode Island. From 1988 to 1988, she was a student at the Cranbrook Academy of Art in Bloomfield Hills, Michigan.Read More →
Barbara Isenberg of New York inspected store inventories of soft toys in the mid-1970s and found them deficient. Isenberg wanted a teddy bear for her small kid that had the same quality, charm, and cozy textures as the ones she remembered from her youth. Read More →
He worked as a designer for Dunbar Furniture of Indiana in New York from 1931 to 1941, improving the company’s variety of wood and upholstered furniture to appeal to a wide range of interests.Read More →
Wright’s design philosophy was based on the idea that the table was the heart of the home. He developed everything from tableware to larger furniture, architecture to landscaping, all of which promote comfortable, informal living.Read More →
No. 22 Diamond Chair by Harry Bertoia. Many would argue that this is more of a sculpture than a chair. READ MORERead More →
His German name, Stoeckel, was anglicised to Stickley by his émigré parents. In Pennsylvania, he worked in his uncle’s chair manufacturing with his brothers. Stickley brothers Gustav, Charles, Albert, Leopold, and John George all worked in the furniture industry.Read More →