Hermann Zapf (1918 – 2015) was born and educated in Nuremberg. Gudrun Zapf-von Hesse, a calligrapher and typeface designer, was his wife. Palatino, Optima, and Zapfino are some of the typefaces he developed.Read More →
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).Read More →
Hirche’s work was also shown at national and international fairs and exhibitions. These include the Milan Triennale in 1957 and Expo 58, the 1958 Brussels World’s Fair. IRead More →
In 1916, she established her workshop in Berlin-Charlottenburg. Her early work was influenced by the Baroque, but her later work was more straightforward, as evidenced by her fruit dish in The Studio, 1929.Read More →
The Leica 1, the first functional 35 mm camera, was introduced in Germany in 1925, making photography much more accessible to the general public.Read More →
Albert and his wife Klara Reimann founded the Schülerwerkstatten für Kleinplastik (School for Small Sculpture) in Berlin in 1902. Reimann was a gifted craftsman who created prototypes to produce bronze, copper, silver, gold, and pottery. Read More →
Frogdesign made a global impact in the 1980s by virtue of its products’ visual expressiveness and ergonomic success, traits that attracted an extensive and prestigious client listRead More →
He was an assistant lecturer at the Bauhaus in Weimar from 1922 to 1929, where he primarily designed lighting fixtures. Read More →
Kramer’s father was the owner of the most well-known of Frankfurt hat shops. In 1916, immediately after school, Kramer was drawn into military service and remained a soldier through the end of the First World War. The following year he trained at the Bauhaus for a few months before quitting, disillusioned with the technical level of the training, then began a three-year architectural study in Munich with Theodor Fischer.Read More →
Arzberg is regarded as one of the most prestigious porcelain design houses in the world. The definition of good design. Arzberg combines aesthetics, functionality, and durability.Read More →
Around 1975, Moje began cutting the rods into thin wafers or strips and fusing them in a kiln. The pieces would then be cut again and re-fused to create rhythmic patterns of vibrant colour. In 1976, Moje returned to Hamburg after living in Danzinger Strasse. Read More →
Hermann Gretsch was a German architect, engineer and product designer. In the 1930s, Gretsch worked for the Porzellanfabrik Arzberg.Read More →
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era. Read More →
Influenced by the international modern art movements that had recently swept across Europe, he blended cubism, which used geometric shapes to create abstract images, and fauvism, which favoured the use of bold colours to suggest shapes, with interest in ethnography to create a unique style of portraiture that sought to reveal the subject more thoroughly than the simple rendering of physical features.Read More →
Leven studied at the Kunstgewerbeschule and then at the Düsseldorf Art Academy. He worked in his father Louis Leven’s studio for a time, had numerous contacts with French artists who had a strong influence on him, and quickly became known. Engelbert Kayser hired him as the first employee in his studio. From 1895 to 1904, Leven designed numerous models for Kayserzinn; his works had a lasting influence on the Art Nouveau pewter foundry. He also worked for the Kreuter company in Hanau and other companies that manufactured metal, silver and earthenware, such as B. Koch & Bergfeld and WMF.Read More →
The outbreak of the Second World War created significant difficulties during the early stages of restoration, leading to the closure of the NKA (Contemporary Products Department), but by the early 1950s, the company was back on track. Many of Wilhelm Wagenfeld’s WMF creations date from these years. Read More →
Boehm joined Rosenthal in 1966. His limited-edition Reticelli range illustrated his interest in Italian glass by incorporating cotton twist threads in the molten glass-like 17th-century Venetian vessels. Read More →
Between 1905 and 1907, he worked as an apprentice to architect and furniture designer Bruno Paul in Berlin, where he studied wooden furniture design. He created furniture for all of his early homes, including the Werner residence.Read More →
Carl Pott studied design and metallurgy at technical school in Solingen and Forschungsinitut unf Profieramt für Edelmetalle, Schwäbisch-Gmünd.Read More →
The way Dieter Rams tell it good design boils down to something as simple durability.
Okay, not durability alone. A Well-designed piece is so self-explanatory that figuring out how to use it as simple as looking at it. And a design develops from the inside out because it involves not only aesthetics but also function.Read More →