Hermann Junger was one of the best goldsmiths in Germany. His creative jewellery had a big impact not only in Germany, but also all over Europe and the U.S. He studied at the Staatliche Zeichenakademie, Hanau.Read More →
Christian Dell (1893–1974) was a German silversmith. Dell was born in Hesse’s Offenbach am Main. In the 1920s, Dell ran the metal workshop at the Bauhaus University, and his designs are, in line with the Bauhaus style, characterised by modern shapes and functionality. After his successful stint as an industrial designer, Dell returned in the late 1940s to his original profession as a silversmith.Read More →
Erna Zarges-Dürr (1907-2002) was a German silversmith. She was professionally active Pforzheim, Leipzig, Berlin. and Stuttgart. Between 1924-27, she trained at Bruckmann und Söhne, Heilbronn, as the first women in the silversmiths’ department. From 1927, she studied at the Kunstgewerbeschule, Pforzheim, under Theodor Wende and others. Read More →
Hermann Zapf (1918 – 2015) was born and educated in Nuremberg. Gudrun Zapf-von Hesse, a calligrapher and typeface designer, was his wife. Palatino, Optima, and Zapfino are some of the typefaces he developed.Read More →
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).Read More →
Otto Zapf has created an essential system of furniture designs. Including the Zapf Office System by Knoll and 7500 workstations by Pacific Telesis. He and Dieter Rams designed their first furniture in the 1960s and 1970s.Read More →
He worked as a silversmith from 1926 and became one of the most important silversmiths in Munich and an outstanding enameler. 1935-72, he taught at the Staatsschule (later Akademie) fur angewandte Kunst in Munich. In the 1950s and 1960s, he designed numerous religious objects.Read More →
Kramer’s father was the owner of the most well-known of Frankfurt hat shops. In 1916, immediately after school, Kramer was drawn into military service and remained a soldier through the end of the First World War. The following year he trained at the Bauhaus for a few months before quitting, disillusioned with the technical level of the training, then began a three-year architectural study in Munich with Theodor Fischer.Read More →
Arzberg is regarded as one of the most prestigious porcelain design houses in the world. The definition of good design. Arzberg combines aesthetics, functionality, and durability.Read More →
Hermann Gretsch was a German architect, engineer and product designer. In the 1930s, Gretsch worked for the Porzellanfabrik Arzberg.Read More →
For travellers, the benefits of plastic shell suitcases have come to be appreciated. They are extremely light and flexible, yet powerful and good looking. Suitcases made of thin vacuum-formed plastic sheets have completely transformed the product category. As a designer of the furniture, Konstantin Grcic was surprised by this ingenuity and the suitability of the modern chair covers for production and performance. Read More →
Hirche’s work was also shown at national and international fairs and exhibitions. These include the Milan Triennale in 1957 and Expo 58, the 1958 Brussels World’s Fair. IRead More →
In 1916, she established her workshop in Berlin-Charlottenburg. Her early work was influenced by the Baroque, but her later work was more straightforward, as evidenced by her fruit dish in The Studio, 1929.Read More →
The Leica 1, the first functional 35 mm camera, was introduced in Germany in 1925, making photography much more accessible to the general public.Read More →
Albert and his wife Klara Reimann founded the Schülerwerkstatten für Kleinplastik (School for Small Sculpture) in Berlin in 1902. Reimann was a gifted craftsman who created prototypes to produce bronze, copper, silver, gold, and pottery. Read More →
Frogdesign made a global impact in the 1980s by virtue of its products’ visual expressiveness and ergonomic success, traits that attracted an extensive and prestigious client listRead More →
He was an assistant lecturer at the Bauhaus in Weimar from 1922 to 1929, where he primarily designed lighting fixtures. Read More →
Around 1975, Moje began cutting the rods into thin wafers or strips and fusing them in a kiln. The pieces would then be cut again and re-fused to create rhythmic patterns of vibrant colour. In 1976, Moje returned to Hamburg after living in Danzinger Strasse. Read More →
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era. Read More →
Influenced by the international modern art movements that had recently swept across Europe, he blended cubism, which used geometric shapes to create abstract images, and fauvism, which favoured the use of bold colours to suggest shapes, with interest in ethnography to create a unique style of portraiture that sought to reveal the subject more thoroughly than the simple rendering of physical features.Read More →