Memphis was a movement in interior design introduced at the annual Milan Furniture Fair in 1981. It consisted of a group led by Memphis guru Ettore Sottass of avant-garde Italian designers. With outrageous interpretations of traditional furnishings and accessories, Memphis shocked the traditionally quiet industry.
He designed automobiles, taxis, and tractors for Fiat, lighting and appliances for Olivetti, packaging for Form, Industrial Design, Style Auto, and Interiors, and wrote for Form, Industrial Design, Style Auto, and Interiors. He created the Parentesi lamp, which Achille Castiglioni finished in the late 1970s.
Four architects—Andrea Branzi, Gilberto Corretti, Paolo Deganello, Massimo Morozzi—and two designers—Dario Bartolini and Lucia Bartolini—founded Archizoom this Italian avant-garde design studio in 1966 in Florence, Italy. They focused on exhibition installations and architecture and designing interiors and goods as part of the Italian Anti-Design or Radical Design movement.
From 1977 to 1983, he worked as the chief editor of the design magazine Modo and as a consultant for the fashion magazine Donna. She designed interiors for Driade, Gianfranco Ferré, Montres and GFF Duty Free, Fontana Arte, Granciclismo sports machines, and Morassutti/Metropolis, as well as serving as an image and product consultant for the Croff/Rinascente chain.
THE NEW DOMESTIC LANDSCAPE was one of The Museum of Modern Art’s most ambitious design shows. The exhibition, directed and built by Emilio Ambasz, Curator of Design in the Museum’s Department of Architecture and Design, focused on current design trends in Italy with 180 items for everyday use and 11 environments commissioned by the Museum.
La Danese was founded in Milan by Bruno Danese and Jacqueline Vodoz. The company specialised in editing, designing, and marketing well‐designed everyday products with a modern aesthetic. There were three significant focus areas: domestic and office products, artistic editions, and children’s games and creative play stimuli.
Masterpieces of Italian Design. Design in Italy has always reflected the national identity of the Italians themselves: sexy, stylish, and innovative, and with more than a touch of audacity. No other country takes design so seriously, nor treats its leading practitioners with such reverence.
Flavio Conti is an Italian architect and designer; born Legnago, Verona; active Milan. He studied architecture, Politecnico di Milano to 1968. Conti began his professional career in 1969. From 1969, was an editor at journal Arredamento-Interni. From 1970, was editor and, from 1972, director of his magazine; from 1973, was professor,
The Association of Industrial Design (Associazione per il Disegno Industriale) (ADI) Since 1956, has brought together designers, companies, researchers, teachers, critics, journalists around the themes of Italian industrial design. It is the lead organisation of the development of industrial design as a cultural and economic phenomenon in Italy.
Gio Ponti was an influential writer, teacher, and practising architect who was one of the most influential figures in twentieth-century Italian design. In a long and illustrious career, he worked in a wide variety of design fields, from interiors to furniture and product design, understanding the value of craft traditions alongside creating a new aesthetic.