Yusaku Kamekura’s poster emphasises the brilliance and clarity attained with the Nikon lens and the technical perfection of his client’s camera by using brilliant optical patterns and powerful, white letter-forms against an intensely dark background. Read More →
Junichi Arai (1932 – 2017) was a Japanese textile designer and producer born in Kiryu, Gunma. As the sixth generation of a mill-owning family, Arai grew up with fabrics being woven for obis and kimonos. He held traditional weaving methods in high regard and the skills that only the human hand can have in the art of fabric making. Read More →
He worked for Sasaki Glass, for which he designed the 1988 San Marino glassware range.Read More →
Masakazu Kobayashi studied at the University of Arts, Kyoto, Japan. He manifested traditional textile techniques and aesthetics in his work. Between 1966 and 1975, he worked as a textile designer for Kawashima. His 1982 fabric evoked komon, a textile dyeing technique which uses paper patterns with small motifs.Read More →
Arata Isozaki is a Japanese architect, urban designer, and theorist from ÅŒita. He was awarded the RIBA Gold Medal in 1986 and the Pritzker Architecture Prize in 2019.Read More →
After studying design at the Japan Art School in Tokyo, Awashima worked for artisan Kozo Kagami, who had studied Western glass methods in Germany from 1935 to 1946. Read More →
Hiroshi Awatsuji (1929- 1995) was a Japanese textile and graphic designer: born in Kyoto. He was considered the first Japanese textile designer to be recognised for contemporary design rather than for traditional art and craft. The main characteristic of his work was over sized motifs.Read More →
Issey Miyake died on August 5, 2022, in a Tokyo hospital of liver cancer. He founded the Miyake Design Studio in 1970.Read More →
Kiroshi Yamano is a Japanese Glass Designer. He studied at the Tokyo Glass Crafts Institute to 1984 and Rochester Institute of Technology, Rochester, New York, to 1989. Read More →
At the X Milan Triennale exhibition in 1954, he met the furniture manufacturer, Dino Gavina, who subsequently invited Takahama to work for him in Italy. Takahama’s first design for Gavina was the geometrically severe Naeko sofa-bed (1957). Read More →
Ikko Tanaka was a Leading Graphic Designer in Japan. He had an enormous impact on the post-war visual culture in Japan.Read More →
He set up his own design office in Osaka in 1964; in 1969, he began designing furniture for Italian and Japanese firms; he collaborated with Silvio Coppola, Giotto Stoppino, and Bepi Fiori for Bernini. He is best known for the 1980 Wink articulated armchair produced by Cassina, which took four years to design; Read More →
Katsuji Wakisaka is a Japanese textile designer. Between 1960 -1963 he studied textile design in Kyoto.Read More →
Nara grew up in Aomori Prefecture, Japan, about 300 miles north of the Tochigi Prefecture. His exposure to Western music on the American military radio station Far East Network in Honshu influenced his artistic imagination early. Later, he would provide cover art for bands including Shonen Knife, R.E.M., and Bloodthirsty Butchers.Read More →
Suehari Fukami (b.1947) is a Japanese studio potter based in Kyoto. He works in the bluish-white porcelain known in Japanese as seihakuji, developed in the Song dynasty JINGDEZEN wares. Read More →
A master of what he called “the sculpturing of space,” Isamu Noguchi was an essential figure for modern public art. Noguchi, born to an American mother and a Japanese father, never felt at home anywhere and spent his life creating identities through his sculptures, monuments, and gardens. Read More →
He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.Read More →
In 1960, at the age of 26, he made his debut into the world as one of the founders of the Metabolism Movement.  Read More →
Shoji Hamada, along with Bernard Leach, was one of the key figures in the development of studio pottery in the 20th century. His influence both in England and the US as well as in his native Japan cannot be underestimated. Read More →
Oki Santo designed this chair; it was a part of a series called Thin Black Lines. The series includes a chair and clothes rack intended to appear as sketches in the air or calligraphy symbols. Thin black lines like the traces of sketches drawn in the air made transparent surfaces and volumes appear, which we assigned practical functions. The outlines remained after simplifying paintings of plants and animals. Read More →