He set up his own design office in Osaka in 1964; in 1969, he began designing furniture for Italian and Japanese firms; he collaborated with Silvio Coppola, Giotto Stoppino, and Bepi Fiori for Bernini. He is best known for the 1980 Wink articulated armchair produced by Cassina, which took four years to design;
Nara grew up in Aomori Prefecture, Japan, about 300 miles north of the Tochigi Prefecture. His exposure to Western music on the American military radio station Far East Network in Honshu influenced his artistic imagination early. Later, he would provide cover art for bands including Shonen Knife, R.E.M., and Bloodthirsty Butchers.
A master of what he called “the sculpturing of space,” Isamu Noguchi was an essential figure for modern public art. Noguchi, born to an American mother and a Japanese father, never felt at home anywhere and spent his life creating identities through his sculptures, monuments, and gardens.
Junichi Arai (1932 – 2017) was a Japanese textile designer and producer born in Kiryu, Gunma. As the sixth generation of a mill-owning family, Arai grew up with fabrics being woven for obis and kimonos. He held traditional weaving methods in high regard and the skills that only the human hand can have in the art of fabric making.
Oki Santo designed this chair; it was a part of a series called Thin Black Lines. The series includes a chair and clothes rack intended to appear as sketches in the air or calligraphy symbols. Thin black lines like the traces of sketches drawn in the air made transparent surfaces and volumes appear, which we assigned practical functions. The outlines remained after simplifying paintings of plants and animals.
Etsuko Nishi is a Japanese Glass Designer. She is a leading expert in pâte de verre, one of the oldest and most difficult glass-making forms. The desired shape is first made of clay, which is used as the basis for the mould. The glass powder is then mixed with a special type of paste, and the mixture is then placed in the mould and then fired.
Hasuike founded his firm in Milan after studying architecture and industrial design in Tokyo and working for Seiko for a year. He has designed for various well-known brands, including Gaggia coffee machines, Panasonic electronic items, Villeroy & Boch sanitary ware and tableware, Grand Gourmet kitchen knives (1994), and WMF cookware.
His work was shown at 1980 ‘Japan Traditional Crafts Exhibition,’ Tokyo; 1981 and 1990 ‘Glass in Japan,’ Tokyo; 1985 ‘New Glass in Japan,’ Badisches Landesmuseum, Karlsruhe; 1987 ‘The Art of Contemporary Japanese Studio Glass,’ Heller Gallery, New York; 1991 (V) Triennale of the Japan Glass Art Crafts Association, Heller Gallery.