Jacques-Émile Ruhlmann (1879 – 1933) was a French designer who was born and lived in Paris. n 1907, he took over his father’s house painting company in Paris. He first exhibited his work in 1911, with architect Charles Plumet and couturier Jacques Doucet, Frantz Jourdain, and Tony Selmersheim.
Majorelle took over the family cabinetmaking and ceramics business in Nancy in 1879. In the late 1880s, he began designing Modern furniture. Working in the Art Nouveau style, Majorelle was the most dynamic practitioner of the School of Nancy. By mechanising his factory, he produced significant quantities of highly decorated commercial furniture and more elaborate pieces using expensive materials such as mahogany, burr walnut, and ormolu.
Andre Frechet (1875-1973) and Paul Frechet were French decorators and furniture designers. They were born in Chalons-sur-Mame; and active in Paris.
Working together and individually from 1906, the Frechet brothers’ furniture designs were produced by various firms including Jacquemin freres in Strasbourg, E. Verot, and Charles Jean-selme; 1909-11.
In the year 1861, Charles Plumet was born. As an architect, he built structures in the mediaeval and early French Renaissance styles. He worked on interiors and furniture designs in Art Nouveau styles with Tony Selmersheim (1871–1971). Between 1896 and 1901, Charles Plumet joined l’Art dans Tout (Art in Everything), an association of architects, painters, and sculptors who consciously attempted to renew decorative art, adopting styles ranging from adapted mediaeval to Art Nouveau.
Armand Point (1861-1932) was a Symbolist painter, engraver, and designer from France, one of the Salon de la Rose + Croix founding members.
Point’s first paintings were orientalist scenes of markets and musicians and scenes from his childhood in Algeria’s streets. In 1888, he moved to Paris to study under Auguste Herst and Fernand Cormon at the Ecole des Beaux-Arts.
He was a gilder at the Chambolle-Duru bindery for ten years. In 1903, set up his workshop at 99 boulevard St-Germain, Paris. Later he moved to 41 rue St-Andre-des-Arts and finally, in 1910, to 18 rue Seguier. A disciple of Henri Marius Michel, his work shifted from classical forms to motifs in the Art Nouveau style.
Francis Jourdain (1876 – 1958), the son of architect Frantz Jourdain, was born on November 2, 1876. His father created the Salon d’Automne collection. He benefited from his parents’ friendships with prominent intellectuals (Émile Zola, Alphonse Daudet) and artists of the time (the circle of Alexandre Charpentier).
Monsieur Bijou was the moniker given to Robert Goosens, a French jeweller who lived from 1927 to 2016. He was born in Paris, France, the son of a metal foundry worker. He learned the techniques of casting, engraving, and embossing semi-precious and simulated stones into gold and silver metals during his apprenticeship in jewellery making.
Suzanne Guiguichon was a French furniture designer and decorator. She was born and worked in Paris. Since 1929 she worked as a designer with Maurice Dufrene at the Galeries Lafayette design studio La Maitrise in Paris. Most of the furniture, clocks, lighting, fabrics, rugs, accessories Guiguichon designed anonymously.
With more than 80 stunning photographs, Masterpieces of French Jewelry offers a fascinating look at the most remarkable pieces that found their way into prominent American collections. Like all art, this delightful array of jewelry mirrors the evolving culture of its time. Chapters in this book explore jewelry of the Victorian Era and the Art Nouveau period of the early twentieth century; Art Deco; 1940s retro; up through the 1960s and more contemporary styles.
Maubossin is a jewellery company in France. The original company was established in 1827 in Paris, on Rue Grenata, where it manufactured jewellery. Starting in 1903, M.B. Noury was the owner and nephew of Georges Maubossin, who had been the director of the company since 1877. Mauboussin succeeded Noury in 1923, changing the firm’s name to Maubossin. At the intersection of rue Saint-Augustin, rue de Choiseul, and rue Monsigny in Paris, at address 3 rue de Choseul, he bought two connecting houses.
Léon Ledru (1855-1926) was a French glassmaker and designer. He was the manager of the design department of the Cristalleries du Val-Saint-Lambert in Belgium for 38 years. Through the work the firm showed at the 1897 Brussels ‘Exposition Internationale,’ he stimulated interest in avant-garde design.
Henri Navarre (1885 – 1970) was a French sculptor, architect, silversmith, and glassmaker. He was born in Paris. He served apprenticeships in architecture, goldsmithing, and silver-smithing. He studied wood carving at the École Bernard Palissy and stained glass and mosaics, Conservatoire des Arts et Métiers, both in Paris.