Emile-Jacques Ruhlmann | “Sarrazin” Textile | The Metropolitan Museum of Art Ruhlmann used the same basic motif—a stylized Cedar of Lebanon tree set within an irregular circle—on this textile and related wallpaper (MMA 2005.334), though on the textile each motif is offset by an added circle of dots. The pattern
Guillaume Saalburg was a French glassworker and engraver he was professionally active in Paris. Education He trained in a glass engraver’s workshop. Biography He worked as an architect and designer for business and domestic clients; collaborated with Philippe Starck, Jean-Michel Wilmotte, Gilles Derain, Richard Moyer, and Andree Putman: participated in
Eugene Printz was a French decorator and furniture designer he was born in Paris. Printz worked in his father’s workshop in the rue du Faubourg Saint-Antoine in Paris, where he formed a staff of experimental practitioners. He used materials from the past in his modern furniture pieces, including forged iron,
Henri Rapin (1873-1939) was a French artist and decorator. He studied at the Ecole des Beaux-Arts under Jean-Leon Gerome and J. Blanc. Rapin (1873-1939) Set Of Art Nouveau Chairs Rapin worked as a painter, illustrator, furniture designer, and decorator. From 1903, his furniture was generally simple. From 1910, he began
Jean Luce was a French ceramicist and glassware designer, born in Paris. Ceramics and Glassware, from ‘Repertoire du Gout Moderne’, 1920’s (litho). Jean Luce Luce worked in his father’s ceramics shop, which made table crockery. In 1923, he opened his shop although he could not take over its direction until
Lucien Falize (1838- 1897) was French goldsmith and jeweller. He was active in Paris and son of Alexis Falize, father of Andre Falize. When his father retired in 1876, Lucien assumed directorship of the family business. He attempted to expand the business by showing at 1878 Paris ‘Exposition Universelle’ and
Christian Germanaz (1940-) is a French industrial designer and maker of furniture; active in Paris. He studied in Paris, both at the Ecole Boulle and the Ecole Nationale Superieure des Arts Decoratifs. In 1966, he designed a selection of office furniture and his famous Airborne Half and Half chairs. In
Jean-Maurice Rothschild (1902- 1988) was a French decorator and furniture designer. Between 1917-19, he studied at the Ecole Boulle, Paris. He began working in 1921 for Jacques-Emile Ruhlmann in Paris as a designer and artisan. He participated in the design of Ruhlmann’s ‘Hôtel du collectionneur’ at the 1925 Paris ‘Exposition
Jacques Gruber (1870-1936) was a French stained-glass artist, designer, and teacher, born Sundhausen, Alsace. He studied at the Ecole des Beaux-Arts, Paris, under Gustave Moreau. He was distinguished as a designer in the Art Nouveau idiom. Between 1894-97 he worked for the Daum glassworks, designing intricate figurative vases; learned the
Lucien Levy Dhurmer was a French ceramicist; born Algiers. He studied painting, lithography, design, and ceramics at the Paris municipal school of drawing and sculpture. He was a ceramicist 1887-95 while working at Clement Massier’s factory at Golfe-Juan as its artistic director. At the 1882 salon in Paris, he showed
René Kieffer was a French bookbinder and publisher; active Paris. He studied Ecole Estienne, Paris, in 1889. He was a gilder at the Chambolle-Duru bindery for ten years. In 1903, set up his workshop at 99 boulevard St-Germain, Paris. Later he moved to 41 rue St-Andre-des-Arts and finally, in 1910,
Andre Frechet (1875-1973) and Paul Frechet were French decorators and furniture designers. They were born in Chalons-sur-Mame; and active in Paris. Working together and individually from 1906, the Frechet brothers’ furniture designs were produced by various firms including Jacquemin freres in Strasbourg, E. Verot, and Charles Jean-selme; 1909-11. Andre was
Maison Gripoix, a French costume jeweller, was located in Paris. Around 1890, Maison Gripoix sold glass beads and buttons wholesale. Subsequently, specialised in handmade imitations of precious and semi-precious jewels, including parures for Sarah Bernhardt. When the molten glass is poured into a mould, rather than through the kiln-firing of
The French design world was excited by artists back in the 1930s and 1940s who created modern objects that combined up-to-the-minute allure with the authenticity of traditional crafts: hand-worked bronze, painstakingly applied lacquer layers, meticulously matched and polished wood. Interior shown in Interiors Magazine Skills like that may be dying
Suzanne Guiguichon was a French furniture designer and decorator. She was born and worked in Paris. Since 1929 she worked as a designer with Maurice Dufrene at the Galeries Lafayette design studio La Maitrise in Paris. Most of the furniture, clocks, lighting, fabrics, rugs, accessories Guiguichon designed anonymously.
The creation in 1901 of the Société des Artistes Décorateurs (SAD) reflected the increasing significance in France of this new profession of Decorative Arts. This resulted from a series of government-funded projects carried out in the fine and applied arts schools of France to improve the status of applied arts
Suzanne Belporren was a French jewellery designer. Her career flourished in the 1920s and 1930s. Belperron produced numerous designs of sculptured jewellery for René Boivin’s Paris shop. She subsequently opened her own Paris shop called Herz-Belperron. Her designs often featured glass encrusted with gemstones.
Maubossin is a jewellery company in France. The original company was established in 1827 in Paris, on Rue Grenata, where it manufactured jewellery. Starting in 1903, M.B. Noury was the owner and nephew of Georges Maubossin, who had been the director of the company since 1877. Mauboussin succeeded Noury in 1923, changing the firm’s name to Maubossin. At the intersection of rue Saint-Augustin, rue de Choiseul, and rue Monsigny in Paris, at address 3 rue de Choseul, he bought two connecting houses.