Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles.
Unit One was a British avant-garde community of architects and fine artists were created by designer, artist, and teacher Paul Nash to encourage Modernism in art and architecture in England. Henry Moore, Barbara Hepworth, and Ben Nicholson were among the group’s most prominent members, as were the architects’ Wells Coates and Colin Lucas.
The house he occupied until 1945 at Ashcombe, Wiltshire, near friend Edith Olivier was decorated with limited funds using exaggerated baroque furniture. The walls of the ‘Circus Bedroom’ were painted by visiting artist friends, including Rex Whistler and Oliver Messel, in a kind of Surrealistic overstatement.
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.
The 1980s in Britain were marked by an apparent economic rebound and a newfound enthusiasm among Britons for business, risky capitalism, and design. Design was pushed as a fundamental ingredient to financial success by a new generation of design entrepreneurs, one of them being Michael Peters.
Zandra Rhodes is known for her creativity and talent worldwide, and it is images and impressions from all around the world that has so often inspired her art. Images have met her eye and been interpreted through her own very personal vision, boldly pushing their way into the highest levels of fashion, from an aerial view of a Mexican sombrero to the wiggle of the Great Wall of China.
Zandra Rhodes studied lithography and printing at Medway College before going on to the Royal College of Art to study textiles, graduating in 1964 during the height of the pop movement. She made a paper wedding dress that cost less than two shillings, motivated by this trend and the work of painter Roy Lichtenstein in particular (about 7 new pence). In 1967, paper clothing was all the rage: it was the ultimate representation of disposable apparel.
Raami, designed by Jasper Morrison, adds a touch of effortless beauty to any space. Simple, adaptable, and high-quality tableware is framed by careful design that allows the room to take on its own personality. Breakfast, desserts, and cold meals go well in this sea blue Raami bowl. Finland-made pressed glass.
British potters have revitalized traditional ceramic forms for nearly a century by creating or reinventing techniques, materials, and display methods. Things of Beauty Growing delves into the primary vessel typologies that have defined studio ceramics from the early twentieth century, such as bowls, vases, and chargers.