Zandra Rhodes studied lithography and printing at Medway College before going on to the Royal College of Art to study textiles, graduating in 1964 during the height of the pop movement. She made a paper wedding dress that cost less than two shillings, motivated by this trend and the work of painter Roy Lichtenstein in particular (about 7 new pence). In 1967, paper clothing was all the rage: it was the ultimate representation of disposable apparel.
Lucie Rie (1902 – 1995) was an Austrian-born British ceramicist. Between 1922-26, she studied fine art, at Kunstgewerbeschule, Vienna, under Michael Powolny. Her most famous works are vases, bottles, and bowls inspired by Japan. Lucie Rie Footed Bowl c. 1951, owned by publisher Susan Shaw. Gold medal for work in the Austrian pavilion at the 1937 Paris ‘Exposition Internationale des Arts et Techniques clans la Vie Moderne’ Exhibition of her work at the Metropolitan Museum of Art, New York.
Mellor specialised in metalwork, especially cutlery, and was regarded as one of Britain’s most well-known designers. He also built bus shelters and the traffic light system that is currently in operation throughout the United Kingdom, British Crown Dependencies, and British Overseas Territories.
The British Royal Society of Arts (RSA) established the Royal Designer for Industry designation in 1936 to encourage high-quality industrial design and elevate the reputation of designers. It is given to persons who have demonstrated “consistent excellence in beautiful and efficient industrial design.”
Blenko established the first American factory to produce sheet glass for stained glass windows. Blenko’s early successes include providing glass for St. Patrick’s Cathedral in New York City. The White House has a collection of Blenko table ware, used periodically. Wayne Husted pioneered the concept of “architectural scale” designs. Blenko’s “Historic Period” begins with Anderson in 1946 and includes work of Nickerson up to 1974.
Eric William Ravilious was a British painter, designer, book illustrator and wood-engraver. He is particularly known for his watercolours of the South Downs and other English landscapes. He served as a war artist, and was the first British war artist to die on active service in World War II. Ravilious studied with Edward Bawden and Charles Mahoney at the Royal College of Art (RCA) in London in 1928. He painted a series of marionette-like murals for Morley College, which were destroyed by bombing in 1941.
Laura Ashley was one of the first British designers to experiment with the concept of lifestyle marketing. Her romantic vision of nineteenth-century rural life, adapted to modern domestic realities, inspired a generation of middle-class Britons who returned to country life in the 1960s and 1970s.
He co-founded Branson Coates Architecture with Doug Branson in 1985 before opening his architecture and design studio in 2006. He was a partner in the Branson Coates architecture and design studio and the founder of the radical NATO (Narrative Architecture Today, established in London in 1983) design group (established in 1985).
Walter Crane (1845 – 1915) was a British designer, artist and writer. He designed textiles, stained glass, wallpaper, and ceramics as a strong proponent of the Arts and Crafts Movement. His books were available in both original and pirated copies in the U.S. Crane designed stained glass, tiles, wallpapers, embroideries, textiles, mosaics and decorative plasterwork.
Mary Quant, a pivotal figure in British fashion design, studied art and design at Goldsmiths College of Art from 1952 to 1955 while also taking evening classes in clothing construction and cutting. In 1955, in Knightsbridge, London, she established her first shop Bazaar on King’s Road, followed by the second shop Terence Conran designed in Knightsbridge.
Christian Barman was a key first-generation British industrial designer during the interwar years. He is best known for his 1936 electric iron for HMV, which he started designing in 1933. He studied architecture at Liverpool University and ran his practice until Frank Pick invited him to join London Transport as a Publicity Officer in 1935.