Feiz’s work has received numerous awards and has been featured in exhibitions and publications worldwide. The overriding inspirations for Feiz’s work can be summed up by: Clarity, concept and context. Feiz has developed several project in collaboration with Artifort, including the Extens, Bras and Beso chair family.
Bloemenwerf, Henry Van de Velde’s property outside Brussels, is the inspiration for this chair. Van de Velde planned and built the house and the interior—from the furniture to the wallpaper—resulting in a holistic design that exemplified the concept of a Gesamtkunstwerk “total work of art”.
Before 1900, Imans was active in a mannequin factory in Paris. By the 1920s, his establishment was located at 10 rue de Crussol. He became known for his faultlessly finished imitation human skin in wax; in 1922, he developed ‘carnesine’ or ‘carnisine’ to simulate skin; developed a secret formula that was mainly plaster with gelatin; subsequently, produced models in various synthetic materials and wood mounted in-store vitrines worldwide. He produced figures in the images of well-known actresses and politicians.
Gijs Bakker’s career spans fifty years and not one of them dull. His first piece, Golden Onion, a sperm-shaped bracelet designed in 1965 was the beginning of a rich, varied and invigorating output that shows no sign of slowing down today. Bakker refers to himself as a “jewellery designer” and since the Dutch aren’t big on disingenuousness, I have to take him at his word.
Plateelbakkerij Ram (1921 – 1969) was an Arnhem-based Dutch ceramics company. Ram was founded in 1921 to produce high-quality ceramic bodies. At Ram 1921—25, Thomas A.C. Colenbrander was the designer for whom the company was established at the age of 80. Ram wares were sold at exhibition auctions as art rather than craft.