Fairyland Lustre: A Whimsical Heritage from Wedgwood

The Enchantment Begins: Daisy Makeig-Jones and Wedgwood

In 1909, Daisy Makeig-Jones began her journey with Wedgwood as a painter. By 1915, her creative vision culminated in the birth of Fairyland Lustre, a line characterized by its vivid use of colours, metallic finishes, and fantastical imagery. The series initially featured oriental patterns of dragons and hummingbirds, which later evolved into vibrant landscapes populated by fairies, elves, and mythical creatures. These pieces served as a creative escape during the tumultuous times of World War I.

Artistic Features of Fairyland Lustre

Fairyland Lustre is notable for its intricate use of enamels and gilding, set against a backdrop of fairy tales and mythical narratives. The artwork often involved complex scenes with characters like dragons, pixies, ghosts, and goblins, showcased on conventional Wedgwood forms. The iridescent colour quality brought these illustrations to life, making each piece a dynamic visual spectacle.

Fairyland Lustre Punch Bowl 1920 signed MJ for Makeig-Jones AAADA

Cultural Impact and Legacy

The introduction of Fairyland Lustre marked a significant moment for Wedgwood, elevating the brand in the realms of fine decorative porcelain. The line gained immense popularity, especially among European and American audiences, providing a luxurious product during economic prosperity. However, the decline of the American market in 1929, coupled with the high production costs, led to the discontinuation of Fairyland Lustre. Despite its relatively short lifespan, the legacy of Daisy Makeig-Jones and her Fairyland Lustre continues to enchant collectors and art enthusiasts.

Decline and Resurgence of Interest

The cessation of Fairyland Lustre production coincided with broader economic downturns and shifts towards modernist aesthetics in art and design. Yet, the allure of Makeig-Jones’s work did not fade entirely. Today, these pieces are celebrated for their artistic merit and historical significance, capturing the imagination of those who appreciate the blend of craftsmanship and fantasy.

Conclusion: The Everlasting Charm of Fairyland Lustre

Fairyland Lustre remains a testament to Wedgwood and Daisy Makeig-Jones’s creativity and innovation. Its whimsical designs and vibrant colours continue to captivate, reminding us of the transformative power of art in everyday objects. As we reflect on the impact of such distinctive artistry, we invite readers to rediscover and appreciate this magical chapter in decorative arts history.

Sources

Savage, G., Newman, H. (1985). An Illustrated Dictionary of Ceramics: Defining 3,054 Terms Relating to Wares, Materials, Processes, Styles, Patterns, and Shapes from Antiquity to the Present Day. United Kingdom: Thames and Hudson.