Lucie Rie (1902 – 1995) was an Austrian-born British ceramicist. Between 1922-26, she studied fine art, at Kunstgewerbeschule, Vienna, under Michael Powolny. Her most famous works are vases, bottles, and bowls inspired by Japan. Lucie Rie Footed Bowl c. 1951, owned by publisher Susan Shaw. Gold medal for work in the Austrian pavilion at the 1937 Paris ‘Exposition Internationale des Arts et Techniques clans la Vie Moderne’ Exhibition of her work at the Metropolitan Museum of Art, New York.
Eric William Ravilious was a British painter, designer, book illustrator and wood-engraver. He is particularly known for his watercolours of the South Downs and other English landscapes. He served as a war artist, and was the first British war artist to die on active service in World War II. Ravilious studied with Edward Bawden and Charles Mahoney at the Royal College of Art (RCA) in London in 1928. He painted a series of marionette-like murals for Morley College, which were destroyed by bombing in 1941.
He worked in the family firm Ceramica Franco Pozzi in Gallarate from 1951 and redesigned its traditional products in an award-winning Functional style. His widely published 1970 Compact stacking coffee service was designed for machine production in three sizes. He set up his design practice, where clients included Riedel, Rossi, Guzzini, Pierre Cardin, Rosenthal, Norex, La Rinascente department store, and Alitalia.
Grand Feu Art Pottery, was founded in California by Cornelius Brauckman. Its output was of high quality and aesthetically distinctive. Generically, grand feu is ceramic ware fired at 2500°F (1400°C), maturing its body and glaze simultaneously. Grand feu is both porcelain and gres, and Grand Feu Art Pottery specialises in the latter.
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms.
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.
In the early 1900s, he was a designer for Porsgrunds Porselaensfabrik, Porsgrunn. In 1882 Kittelsen was granted a state scholarship to study in Paris. In 1887 he returned to Norway for good. When back in Norway, he found nature to be a great inspiration. He spent the next two years in Lofoten, where he lived with his sister and brother-in-law at Skomvær Lighthouse. Kittelsen also started to write texts to his drawings there.