Lachenal joined Théodore Deck’s studio in 1870 and later became director. He established his studio in Malakoff, near Paris, in 1880 and Chatillon-sous-Bagneux, France, in 1887. He decorated his pottery with stylized figures, landscapes, greenery, and flowers in the ‘Persian style’ influenced by Deck.
The purpose of this publication is to introduce the rich and diverse ceramics in the National Trust’s enormous and encyclopedic collection, which contains around 75,000 objects and is kept in 250 historic houses in England, Wales, and Northern Ireland. One hundred essential pieces have been chosen from this vast collection, each adding to our understanding of ceramic patronage and history by showing the very personal stories of ownership, exhibition, taste, and consumption.
In 1899, he became artistic director of Kéramis, Belgian pottery owned by Boch Freres in La Louviere. In c1910, he moved to University City, Missouri, to work for Taxile Doat as a ceramics teacher at the School of Ceramic Art. He went back to France. He belonged to the Société des Artistes Françaises.
Ernest Chaplet (1835 – 1909) was a French ceramicist, an early studio potter’ who mastered slip decoration, rediscovered stoneware, and conducted copper-red studies. From 1882 to 1885, he was the director of Charles Haviland’s workshop to study decorative processes, where he collaborated with artists such as Paul Gauguin. He eventually moved to Choisy-le-Roi, where he focused on porcelain glaze studies.