The Essence of Potichomania
Potichomania, a decorative art form that emerged in the mid-19th century, represents a unique blend of creativity, patience, and skill. Originating from Paris, this craft became a sophisticated pastime, allowing individuals to transform ordinary glass vessels into exquisite imitations of enamelled porcelain. The term itself, derived from the French ‘potiche’ meaning a vase of classical Chinese shape, and ‘décalquer’ indicating the transfer of an impression, encapsulates the essence of this artistic endeavour.
A Noble Pursuit with Humble Beginnings
Regarded as both an aristocratic hobby and the “poor man’s do-it-yourself Meissen,” potichomania offered a creative outlet that transcended social classes. The process involved meticulously pasting coloured transfer designs inside glass vessels, a task that required artistic flair and a great deal of patience, especially when working through the narrow necks of vases. This art form, celebrated for its variety and application, was even mentioned by Charles Dickens as a “pretty lady-like accomplishment.”
Evolution of a Craft
By the 1880s, the technique evolved, with practitioners starting to paste designs on the outside of pottery vases, eventually decorating these vessels with cigar bands. This evolution signifies a shift in artistic methods and an adaptation to changing aesthetic preferences and material availability.
The Artistic Technique
The potichomania technique combines printing and painting to achieve a porcelain-like appearance on glass vessels. This art form allows for creating intricate and beautiful designs, closely mimicking the highly coveted painted porcelain ware. The revival of interest in potichomania highlights a renewed appreciation for handmade, personalized decorative arts in contemporary society.
Exploring Potichomania Further
Numerous resources are available for those interested in delving deeper into the history and techniques of potichomania. Books and online materials offer insights into this captivating art form, guiding those eager to learn and perhaps even try to create their potichomania pieces.
Conclusion
Potichomania is a testament to the enduring charm and fascination of the decorative arts. It encapsulates the desire to create beauty, the dedication to craft, and the joy of personal accomplishment. As we continue to explore and appreciate historical art forms like potichomania, we honour the past and inspire future generations to discover and cherish the beauty in the world around them.
Sources
Payton, M., Payton, G. (1976). The Observer’s Book of Glass. United Kingdom: F. Warne.