The Milan Triennial, or Triennale di Milano, presents a rich tapestry of innovation and tradition held within the iconic walls of the Palazzo dell’Arte in Milan’s lush Parco Sempione. Established in 1923, this prestigious exhibition initially found its footing in Monza, embracing industrial design and architecture. By 1933, under new Milanese skies and the visionary architecture of Giovanni Muzio, the event transformed into a triennial extravaganza (Torre Branca under Gio Ponti’s watchful eye), becoming a cornerstone of the artistic and design worlds. Acknowledged by the Bureau of International Expositions, the Milan Triennial carved its path as a beacon of cultural renaissance, welcoming the avant-garde of visual art spearheaded by the likes of Gio Ponti and Mario Sironi, embarking on a journey of murals that whispered the innovative spirit of Giorgio de Chirico and Carlo Carrà.
Embed from Getty ImagesThe Stage of International Talent
Decades on, the Triennial has opened its arms to a kaleidoscope of artists and designers, from Lucio Fontana’s spatial concepts to Michelangelo Pistoletto’s reflective canvases, embodying the fluidity and dynamism of art and design. The Triennial, however, faced moments of silence in 1940, 1973, and 1996, only to re-emerge with renewed vigour, dedicating its rich palette to themes that mirror the pulse of contemporary society.
A Museum Beyond Boundaries
The Triennale di Milano Museum is not merely an exhibition space but a dialogue between design’s past, present, and future. Each edition, lasting up to six months, is a thematic exploration of modern-day dilemmas. It hosts a diverse range of participants, from academicians to young creatives, all deciphering the language of design within this historical venue. Syncing with the Milan Design Week, the Triennial offers a symbiotic relationship with the city, radiating the essence of design beyond its walls.
Embed from Getty ImagesA Cultural Hub of Innovation
The Triennale goes beyond an exhibition space; it’s a cultural nucleus engaging in applied arts and design discourse. Renowned globally for its high-profile contemporary art exhibitions, the Triennale is a testament to Italian design, researching and representing it from multifaceted viewpoints. With the ever-evolving Triennale Design Museum at its heart, it showcases the dynamic Italian design landscape, paying homage to the entire design ecosystem.
A Laboratory of Ideas and Creativity
The institution serves as a crucible for creativity, catering not just to professionals but fostering the dreams of future generations. With its experimental and interactive activities, the Triennale nurtures the culture of design, engaging children and young adults in the vast ocean of creativity. The recent annexation of the Teatro dell’Arte marks a new chapter, offering a platform for cultural projects and the performing arts within the historical context of Milan’s Parco Sempione.
List of Triennials
Event | Description | Start Date | End Date | Notes |
---|---|---|---|---|
Monza Biennial I | International Exhibition of Decorative Arts | 1923 | 1923 | |
Monza Biennial II | International Exhibition of Decorative Arts | 1925 | 1925 | |
Monza Biennial III | International Exhibition of Decorative Arts | 1927 | 16 October 1927 | The twentieth century and Neoclassicism in decoration and furnishing |
Monza Biennial IV | International Exhibition of Modern Decorative and Industrial Art | 1930 | 1930 | Included several works by Gio Ponti |
Milan Triennial V | Style – Civilisation | 10 May 1933 | 31 October 1933 | |
Milan Triennial VI | Continuity – Modernity | 31 May 1936 | 1 November 1936 | |
Milan Triennial VII | Order – Tradition | 6 April 1940 | 9 June 1940 | |
Milan Triennial VIII | The House | 31 May 1947 | 14 September 1947 | Urban planning project that led to the QT8 area |
Milan Triennial IX | Goods – Standards | 12 May 1951 | 5 November 1951 | Gold medal winners included Danish textile artist Helga Foght |
Milan Triennial X | Prefabrication – Industrial Design | 28 August 1954 | 15 November 1954 | Led to the creation of the building now used as the Bar Bianco |
Milan Triennial XI | Improving the Quality of Expression in Today’s Civilisation | 27 July 1957 | 4 November 1957 | |
Milan Triennial XII | Home and school | 16 July 1960 | 4 November 1960 | |
Milan Triennial XIII | Leisure | 12 June 1964 | 27 September 1964 | |
Milan Triennial XIV | The Large Number | 23 June 1968 | 28 July 1968 | |
Milan Triennial XV | Architettura Razionale | 1973 | 1973 | Major section curated by Aldo Rossi |
Milan Triennial XVI | The Domestic Project | 1986 | 1986 | Directed by Mario Bellini and Georges Teyssot |
Milan Triennial XVII | World Cities and the Future of the Metropolis | 21 September 1988 | 18 December 1988 | |
Milan Triennial XVIII | Life in Things and Nature: Design and the Environmental Challenge | 1992 | 1992 | |
Milan Triennial XIX | Identities and differences | 22 February 1996 | 5 May 1996 | |
Triennial 2016 | 21st century. Design after Design | 2 April 2016 | 12 September 2016 | |
Triennial 2019 | Broken Nature: Design Takes on Human Survival | 1 March 2019 | 1 July 2019 | |
XXIII Triennale di Milano | Unknown Unknowns. What we don’t know we don’t know. | 20 May 2022 | 20 November 2022 |
Sources
Biennial Foundation. (n.d.). Milan Triennial / La Triennale di Milano. Retrieved from https://www.biennialfoundation.org/biennials/la-triennale-di-milano/
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL
Designboom. (n.d.). Milan Triennale | art, architecture, and design news and projects. Designboom. Retrieved May 7, 2024, from https://www.designboom.com/tag/milan-triennale/
Milan Triennial. (2023, December 3). In Wikipedia. https://en.wikipedia.org/wiki/Milan_Triennial