British potters have revitalized traditional ceramic forms for nearly a century by creating or reinventing techniques, materials, and display methods. Things of Beauty Growing delves into the primary vessel typologies that have defined studio ceramics from the early twentieth century, such as bowls, vases, and chargers. Read More →
Eric William Ravilious was a British painter, designer, book illustrator and wood-engraver. He is particularly known for his watercolours of the South Downs and other English landscapes. He served as a war artist, and was the first British war artist to die on active service in World War II. Ravilious studied with Edward Bawden and Charles Mahoney at the Royal College of Art (RCA) in London in 1928. He painted a series of marionette-like murals for Morley College, which were destroyed by bombing in 1941.Read More →
The National Trust’s collection contains around 75,000 objects and is kept in 250 historic houses in England, Wales, and Northern Ireland. One hundred essential pieces chosen from this vast collection add to our understanding of ceramic patronage and history. The collection examines trends of ceramic collecting by British aristocracy and gentry over 400 years.Read More →
Breakfast in an American middle-class home in the 1940s was often served on dishes designed by English designer Susie Cooper (1902-1995).Read More →
William Moorcroft started Moorcroft, a British art pottery manufacturer, in Burslem, Stoke-on-Trent, Staffordshire, in 1913.Read More →
Blue-dash charger is a large circular earthenware dish made in England (especially Bristol and Lambeth) in the late 17th century and early 18th. The name derives from the dashes of blue around the rims.Read More →
Thomas Minton bought a pottery in Stoke-on-Trent in 1793 and, in 1796, began production of inexpensive blue transfer-printed earthenware. His son Herbert Minton became director in 1836, expanded the range of wares, and hired artists. Read More →
He modelled vases (including Columbis and Diana) and figures from 1893 to 1898. (including Holbein and Rembrandt vases). With Cuthbert Bailey and John Slater, he experimented with the reproduction of Sung, Ming, and early Ch’ing dynasty blood-red rouge flambé and sang-de-boeuf glazes from the late 1890s to the early 1900sRead More →
In Britain, the backlash against the highly ornamented machine-made ceramics that were fashionable in the late 1800s gathered steam. Art potteries were founded by a group of creative craftspeople who William Morris inspired.Read More →
He started by producing basic tableware, but by 1759, he had expanded to include beautiful items like classical vases and portrait busts. He was one of the first producers to hire artists to create product designs.Read More →
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The following 6 books are our latest offerings on Ceramics and Pottery. Everything that will satisfy the novice to the expert. Our blog has focused recently on British Studio pottery and ceramics and we have 3 books that explore the enormous canon of British ceramic collections.Read More →
With over two thousand objects, the Mint Museum’s collection of British ceramics is one of the best and most extensive in the United States. It includes items from all major manufacturing centres, including Wedgwood, Chelsea, Worcester, and Staffordshire. Read More →
Born in Hong Kong, Bernhard Howell Leach was a British ceramicist. He had his headquarters in St Ives, Cornwall and Devon. At the Slade School of Fine Art, London, he studied painting. He went to Japan to teach art at the age of 21.Read More →