Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles.
His jewellery designs of a kneeling deer, a dolphin in the rushes, and butterflies on a flower, which he created in 1937, were produced for many years. In 1940, he created the ‘Kingmark’ to commemorate King Christian’s seventieth birthday. It was mass-produced and worn by Danes to demonstrate their allegiance to Denmark and opposition to the German occupation.
Albert Paley (born 1944) is an American modernist metal sculptor. Starting as a jeweller, he has evolved into one of the world’s most renowned and famous metalsmiths. Furniture, gates, railings, and staircases are among his creations. He consults with architects and space planners, and he leads a team of craftspeople in his Rochester, New York, facilities.
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.
Danish silversmith of Art Deco and Cubist works
Erik Magnussen was a silversmith and designer from Denmark. He lived in the United States from 1925 to 1939, first as artistic director of the Gorham Manufacturing Company in New York City and subsequently with his workshop in Chicago and Los Angeles.
Bertel Gardberg was a Finnish jeweller and metal worker. Between 1938-1941 he studied at Taideteollin Korkeaukoulu, Helsinki. He began his working life in Copenhagen. Gardberg moved to Helsinki where he maintained a studio between 1949-1966. He was responsible for stainless steel and silver designs produced by the Georg Jensen Solvsmedie; Galeries Lafayette department store, Paris and Kilkenny Design workshops, Dublin. Although he was known for his metal wares, he also worked in wood and stone.
In 1927, he started working for Baudet, Donon et Roussel, a carpentry and metal construction workshop. He was in charge of the new wrought iron section. Grillework, tables, chairs, consoles, screens, lighting, and firedogs were all designed and manufactured by him. Poillerat’s metalwork was rendered in characteristic winding calligraphic forms in various media ranging from jewellery to clothing.