In 1951, he became a member of Knoll’s design development group. Initially, he collaborated on the wire Diamond sitting collection with Harry Bertoia. Schultz designed the Petal table in 1960, steel-wire lounge chairs in 1961, and outdoor Leisure Collection seating and tables in 1966 for Knoll. He designed a 1981 collection of outdoor furniture while pursuing his passion for the outdoors.
First designer to work with bakelite
Friedrich Adler (1878 – 1942) was a German designer, educator, and artist. He was well-known for his work in the Art Nouveau and Art Deco genres of metals design. He was also the first to employ bakelite in his designs. He created his designs with a wide range of things and materials.
In the French army during World War I, he discovered the art of Greece and Byzantium. In Paris after the war, he met Jacques Doucet, for whom he designed silverware, enamels, tapestries and carpets for the residence on the avenue du Bois (today avenue Foch). In c1923 he turned to sculpture and completed commissions for Doucet and others in a Cubist style.
He worked as an engineer in Rutherford, New Jersey, in 1919, and as a draftsperson and engineer in West Coast logging camps from 1919 to 23; from 1923 to 1930, he was active in New York, sketching for the National Police Gazette 1925—26; in 1926, he travelled to England and Paris, where he produced his 1927—28 miniature circus and worked on wood sculpture; was best known for his mobiles,’ hanging sculptures whose amorphic and bio His linear, wiry images were most likely influenced by Joan Miro and Paul Klee.
Leven studied at the Kunstgewerbeschule and then at the Düsseldorf Art Academy. He worked in his father Louis Leven’s studio for a time, had numerous contacts with French artists who had a strong influence on him, and quickly became known. Engelbert Kayser hired him as the first employee in his studio. From 1895 to 1904, Leven designed numerous models for Kayserzinn; his works had a lasting influence on the Art Nouveau pewter foundry. He also worked for the Kreuter company in Hanau and other companies that manufactured metal, silver and earthenware, such as B. Koch & Bergfeld and WMF.
Paul Howard Manship was an American Sculptor. He was influenced by Hindu and Buddhist Indian Sculpture.
He began his artistic education at the St. Paul School of Art in Minnesota, and he attended the Pennsylvania Academy of Fine Arts before moving onto New York City’s Art Student League. Throughout his subsequent career, he created more than 700 sculptural pieces in stone and marble.
As a result, his sculptural furniture and furnishings are his most well-known works. For his leadership in designing non-traditional designs and supporting and inspiring artists/craftspeople by example, Esherick was dubbed the “dean of American artisans” by his peers during his lifetime. Esherick’s impact can still be apparent in contemporary artisans’ work, especially in the Studio Craft Movement.
He escaped the Soviet Union by swimming the Araks River in 1967. He lived in Istanbul and Beirut for a while. He moved to New York in 1974. Early on, his work resembled sculptural clay bits discovered in prehistoric investigations. His 1975 installation at P.S. 1 in Long Island City, New York, 1,000 Bricks Gilded in 22 Carat Gold Leaf, demonstrated a fascination in gold leaf, which he later employed on his furniture pieces.