This sofa’s straightforward execution and regular silhouette reflect characteristics that were considered essential for advanced design at the time. Nonetheless, the turned spindles, stretchers, and exquisite details owe a lot to Borge Mogensen’s use of the lexicon of traditional furniture forms—especially American Shaker and English Windsor—in his w
Kosta Boda, for much of its early life, this famous Swedish glassmaking company’s production centred on drinking glasses, chandeliers, and window panes. However, in the late nineteenth century, with the employment of designers such as Alf Wallander and Gunnar Wennenberg, a more concerted design policy emerged, resulting in more fashionable, Art Nouveau-inspired products.
Sigurd Persson (1914–2003) was a Swedish sculptor, blacksmith, and professor who is regarded as one of the twentieth century’s most influential Swedish designers. Growing up in a goldsmith family, Persson founded his studio in Stockholm in 1942. Throughout his long career, he crafted objects in various materials ranging from metal to glass to plastic.
Stig Lindberg (1916 – 1982) was a Swedish ceramic, glass, textile, industrial designer, and painter and illustrator. During his long career with the Gustavsberg pottery factory, Lindberg produced whimsical studio ceramics and graceful tableware lines, making him one of Sweden’s most important postwar designers.