She used coloured ivory in her early work. In 1977, she started producing necklaces with bound thread. In 1978, she designed a wood- or silver-framed bracelet with tufts of nylon through which the hand could be squeezed; she was a leader in the new jewellery movement that began in 1968, and she used plastic, cloth, paper, and rubber instead of precious metal.
Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles.
His jewellery designs of a kneeling deer, a dolphin in the rushes, and butterflies on a flower, which he created in 1937, were produced for many years. In 1940, he created the ‘Kingmark’ to commemorate King Christian’s seventieth birthday. It was mass-produced and worn by Danes to demonstrate their allegiance to Denmark and opposition to the German occupation.
Florence Koehler was an American artist, craftsperson, designer, and jeweller, professionally active in Chicago, London and Rome. She was one of the best-known jewellers of the Arts and Crafts movement that flourished in the late 19th and early 20th centuries. In Chicago, Koehler’s jewellery in a crafts style was fashionable in artistic circles. Koehler became one of the American crafts-revival leaders in jewellery, related more to French than English styles.
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.
Judith Leiber (1921 – 2018) was a prolific designer whose fanciful minaudières had accessorised royalties, first ladies, and film stars, and entered the collections of art the Metropolitan Museum of Art. While her couture handbags—carried by celebrities such as Greta Garbo, Elizabeth Taylor, Claudette Colbert, Björk, and Barbara Walters—are widely regarded as works of art, Leiber preferred the word “artisan” to “artist.”
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.