Rapin worked as a painter, illustrator, furniture designer, and decorator. From 1903, his furniture was generally simple. From 1910, he began to produce more elaborate designs using exotic materials and carved wood panels by Eve Le Bourgeois and Charles Hairon. These designs were in response to the challenge from the designers of the Münchner Vereeingite Werkstätten für Kunst in Handwerk exhibiting at the Salon of the same year.
Between 1890 and 1914, the École de Nancy, or Nancy School, was a group of Art Nouveau artisans and designers based in Nancy, France. The furniture designer Louis Majorelle, the cabinet maker and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the Daum crystal factory were important contributors.
Imperishable Beauty: Art Nouveau Jewelry. “A new, imperishable beauty,” was how the artist and architect Henry van de Velde described it. European Art Nouveau jewelry of the late nineteenth and early twentieth centuries embraced a new aesthetic characterized by sensuous forms, dramatic imagery and vivid symbolism.
Majorelle took over the family cabinetmaking and ceramics business in Nancy in 1879. In the late 1880s, he began designing Modern furniture. Working in the Art Nouveau style, Majorelle was the most dynamic practitioner of the School of Nancy. By mechanising his factory, he produced significant quantities of highly decorated commercial furniture and more elaborate pieces using expensive materials such as mahogany, burr walnut, and ormolu.
In the year 1861, Charles Plumet was born. As an architect, he built structures in the mediaeval and early French Renaissance styles. He worked on interiors and furniture designs in Art Nouveau styles with Tony Selmersheim (1871–1971). Between 1896 and 1901, Charles Plumet joined l’Art dans Tout (Art in Everything), an association of architects, painters, and sculptors who consciously attempted to renew decorative art, adopting styles ranging from adapted mediaeval to Art Nouveau.
The Musée des Arts Décoratifs (Museum of Decorative Arts) is a museum dedicated to the exhibition and conservation of decorative arts. Located at 107 Rue de Rivoli in the city’s 1st arrondissement, the museum occupies the northwest wing of the Palais du Louvre, known as the Pavillon de Marsan (Marsan Pavilion). With more than one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe.
Manuel Orazi was a Spanish illustrator, a lithographer who contributed notable Art Nouveau posters of the last quarter of the nineteenth century. He designed the 1884 Théodora poster for Sarah Bernhardt with Gorguet. Others of his posters were for Peugeot bicycles, the opera Aben Hamet and, in the form of an old torn manuscript, for the opera Thaïs by Jules Massenet.
Art Nouveau was an international style of design and architecture.
Idiosyncratic and romantic the Art Nouveau style derived from the vestiges of academic classicism of the École des Beauz-Arts, Paris and the study of plant forms. Between 1880 and 1910, the Art Nouveau movement was influential throughout Europe and to a lesser degree in the United States. The following are 10 beautifully crafted examples of jewellery design in this style.