Through essays, interviews, artwork, typeface and beyond, lesser heard voices at various stages of their careers are given a platform to share insights from the inside. Along with information on hiring processes, power structures, mentoring, workplace discrimination and more, Extra Bold aims to make the world of design a little more accessible.
Born in Paris, Robert Bonfils was a French graphic artist, painter, and designer. He studied at the École Germain-Pilon in 1903 and at the École Nationale des Beaux-Arts in Paris in 1906.
He worked for Henri Hamm, a furniture designer. His work included paintings, bookbindings, ceramics for Sèvres, Bianchini-Frerier silk, wallpaper and interior design layouts. He designed the tea room at the Au Printemps department store in Paris. With depictions of the seasons, he decorated the wall.
Alexey Brodovitch (1898 – 1971) was an American/Russian graphic designer and magazine art director. Alexey Brodovitch was born in Russia and worked in Paris in the 1920s, creating books, posters, furniture, and advertising. He moved to America in 1930 and worked as the art director of Harper’s Bazaar magazine in New York after a brief stint of teaching and advertising.
Herbert Bayer was an American; painter, photographer, architect, designer, and sculptor. His unspecialised approach to art and design reflected his Bauhaus training emphasizing basic principles of visual communication. He emerged as a veritable one-person band of modernism, able to address problems of form in practically any medium.
Keith Haring was best known for his graffiti-like painting, initially on the black paper used to cover discontinued billboard advertisements in the New York subway. After after a feverish 1980’s style career of surging popular success and grudging critical attention, Haring died of AIDS in 1991 at the age of 31.
This sofa is designed in a so-called minimalist style that is basic and unadorned. Throughout the late 1980s, this emergent style had a significant impact on design in Europe. The sofa in question results from a significant collaboration between a talented young designer and a manufacturer committed to promoting new design.
The 1980s in Britain were marked by an apparent economic rebound and a newfound enthusiasm among Britons for business, risky capitalism, and design. Design was pushed as a fundamental ingredient to financial success by a new generation of design entrepreneurs, one of them being Michael Peters.
Paul Bacon was not a household name, but anyone who has a passion for books will have seen his works. Bacon was an artist, who used minimal imagery and bold typography to sell famous novels such as, “Catch 22” by Joseph Heller, “One Flew Over the Cuckoo Nest’s and Phillip Roth’s “Portnoy’s complaint?
Stanley Morison, widely regarded as one of the most influential typographic designers of the twentieth century, was drawn to the subject by his passionate interest. Early on, he worked for several publishers and printing houses, including Francis Meynell’s Pelican Press and the Cloister Press.