He was trained in the workshop of his father Anders Nilsson. He studied at the Konigliche Preussische Zeichenakademie, Hanau (Germany), and in the Paris studio of Georg Jensen while at the Académie de la Grande Chaumiere and Académie Colarossi.Read More →
Carl Christian Fjerdingstad was a Norwegian designer born in Kristiansand and active in Blaricum (Norway), the Netherlands, and Paris. Carl Christian Fjerdingstad worked as a designer for Orfèvrerie Christofle in Paris and a silversmith for Henry van de Velde. His work combined French designs with the hammered surfaces and round shapes of Danish silverware.Read More →
J.M. van Kempen was a Dutch silversmith who started a silver factory in Utrecht in 1835 and moved to Voorschoten in 1858. He hired English craftsmen to teach them how to make forks and spoons, and a separate studio was set up to make sculptures and silverwork parts. He didn’t hire outside artists until the 1800s, when Th.L. Sluyterman designed Art Nouveau pieces.Read More →
Bertel Gardberg was a Finnish jeweller and metal worker. Between 1938-1941 he studied at Taideteollin Korkeaukoulu, Helsinki. He began his working life in Copenhagen. Gardberg moved to Helsinki where he maintained a studio between 1949-1966. He was responsible for stainless steel and silver designs produced by the Georg Jensen Solvsmedie; Galeries Lafayette department store, Paris and Kilkenny Design workshops, Dublin. Although he was known for his metal wares, he also worked in wood and stone.Read More →
In 1901, he moved to New York and worked for Tiffany and Gorham Manufacturing. In 1907, he worked at the Kalo Shop in Chicago before opening his own Randahl Shop in Park Ridge, Illinois, in 1911.Read More →
Hammer was head of one of Norway’s largest silversmithies. He was best known for his plique-a-jour enamelled spoons popular with tourists and exported in large quantities. He produced the ‘Norwegian brilliant enamel work’ spoons offered in the 1896 and 1898 Christmas catalogues of Liberty, London. Read More →
Harry Bertoia was a sculptor, printmaker, jeweller, and furniture designer. He was born in San Lorenzo, Udine, and worked in the United States professionally. During World War Two he worked with Ray and Charles Eames on moulded-plywood technology. He worked primarily as a sculptor from the mid-1950s onwards. His sculpture was prominently featured in many of Eero Saarinen’s buildings.Read More →
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.Read More →
Georg Jensen was a Danish metalworker. He was born in Faavad. He was apprenticed as a goldsmith. cl895-1901, he studied sculpture, Det Kongelige Danske Kunstakademi, Copenhagen. Read More →
Alma Eikerman (1908 – 1995) was an American jewellery designer and silversmith. Eikerman was born in Pratt, Kansas, and graduated from Kansas State College in Emporia with a B.Sc. in 1934 and an M.Sc. in 1942. Read More →
Christian Dell (1893–1974) was a German silversmith. Dell was born in Hesse’s Offenbach am Main. In the 1920s, Dell ran the metal workshop at the Bauhaus University, and his designs are, in line with the Bauhaus style, characterised by modern shapes and functionality. After his successful stint as an industrial designer, Dell returned in the late 1940s to his original profession as a silversmith.Read More →
In 1958 Eskildsen joined the Georg Jensen design department making designs for flatware, jewellery and hollowware. He became the foreman of the design department in 1962.Read More →
Fred G. Minuth was an American Silversmith. He was professionally active in Chicago.Read More →
Erna Zarges-Dürr (1907-2002) was a German silversmith. She was professionally active Pforzheim, Leipzig, Berlin. and Stuttgart. Between 1924-27, she trained at Bruckmann und Söhne, Heilbronn, as the first women in the silversmiths’ department. From 1927, she studied at the Kunstgewerbeschule, Pforzheim, under Theodor Wende and others. Read More →
He worked as a silversmith from 1926 and became one of the most important silversmiths in Munich and an outstanding enameler. 1935-72, he taught at the Staatsschule (later Akademie) fur angewandte Kunst in Munich. In the 1950s and 1960s, he designed numerous religious objects.Read More →
Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles. Read More →
In 1916, she established her workshop in Berlin-Charlottenburg. Her early work was influenced by the Baroque, but her later work was more straightforward, as evidenced by her fruit dish in The Studio, 1929.Read More →
Gunilla Jung was a glass and lighting artist and Silversmith. She designed glassware for Karhula (later Iittala) in the 1930s at the Institute of Applied Arts in Helsinki. Maybe best known for her pioneering lighting projects, such as in Helsinki’s Savoy Theatre.
Taito created her first silver designs and, later in the 1930s, others by Viri and Kultaseppät. She worked with Frans Nykänen, who at varying times was a director at both silversmithies.Read More →
In 1927, Jacobsen established his practice in Hellerup. He was Denmark’s first exponent of Functionalism, influenced by Modern architecture of the 1930s, such as Le Corbusier, Gunnar Asplund, and Ludwig Mies van der Rohe. His first significant assignment was the Bellavista housing complex in Copenhagen, which he completed between 1930 and 1934.Read More →
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.Read More →