In 1934, he worked in the Indian office of American architect Antonin Raymond. In 1937, in the Tokyo office, he studied Japanese carpentry techniques. In 1941, he set up his first workshop in Seattle. In 1942 in Idaho, Nakashima studied with an old Japanese carpenter until Antonin Raymond arranged his release.
He began his work as an instrument builder for the Bacharach Instrument Company in Pittsburgh. He then moved on to Owens-Illinois Glass Company, where he developed a lifetime interest in glass. He established small laboratories to create new glass batches and fabricate small glass objects while in command of the Owens-Illinois Glass Company milk-bottle plant.
Between 1939-42 and 1946-47, he studied at the University of Michigan, Ann Arbor, Michigan, receiving a bachelor’s degree in design. In 1941 and 1949-51, he studied Cranbrook Academy of Art, Bloomfield Hills, Michigan, receiving a master’s degree in ceramics. In 1945, he was a student at the Brighton School of Art, Brighton, under Nora Braden’s tutelage.
They were full collaborators as husband and wife. Design is infrequently a solitary endeavour, and husband-and-wife teams are not uncommon. The collaborative nature of the Eames work, on the other hand, was easily obscured by Charles’s widespread public recognition as an individual designer and thinker.
John Eberson was an american designer who was known for his cinema décors. One of his earliest, the 1923 Majestic Theatre in Houston, Texas, was a loosely recreated garden of a late-Renaissance palazzo in Italy. Through his workshop Michelangelo Studios, he was was successful at producing elaborate plasterwork for his theatre décors in Spanish, Moorish, Dutch, Chinese and other styles.
Wilton C. Dinges founded the Electric Machine and Equipment Company (Emeco) in 1944 with $300 in savings and a used lathe for machine work. He started bidding on government manufacturing contracts out of a loft in Baltimore, Maryland, beginning with experimental antennas and jet engine parts.
Isamu Noguchi (1904–1988), was an American sculptor and designer. He was born in Los Angeles and professionally active in New York. He was influential and well-received in the twentieth century. He produced sculptures, gardens, furniture and lighting designs, ceramics, architecture, and set designs throughout his lifetime of creative experimentation. His work, both subtle and bold, traditional and modern, set a new standard for reintegrating the arts.
Arthur Pulos (1917 – 1993) was a well-known design teacher, promoter, and industrial designer. Arthur Pulos was renowned for his writings, lectures in developed and developing nations, and involvement with important organizations like the International Council of Societies of Industrial Design (ICSID).
During Steve Job’s time at NeXT he commissioned graphic designer Paul Rand to create the visual identity for NeXT. Rand had the reputation for exerting great influence on his clients, he created a 100-page branding book to help Steve Jobs understand the entire design process hidden behind the NeXT identity.