Now in paperback: the fully expanded, updated, and freshly designed second edition of the most comprehensive and widely acclaimed guide to domestic architecture: in print since its original publication in 1984, and acknowledged everywhere as the unmatched, essential guide to American houses.
Paul Tuttle (1918 – 2002) was an American designer best known for his furniture designs and his work in interior design and architecture. Tuttle had no formal design education and instead drew inspiration from his own life and the mentorship of well-known artists like Alvin Lustig, Welton Becket, and Frank Lloyd Wright. Tuttle worked as a furniture designer for over 50 years, producing a body of work that included mass-produced and custom-made pieces.
Marc Harrison (1936-1998) was an industrial designer from the United States. Harrison sustained a significant brain injury in a sledding accident when he was eleven years old. He had to relearn simple functions like walking and talking as a result of the crash. Harrison gained experience and motivation for his future work as an industrial designer due to this incident and his lengthy recovery.
Walter Kantack was an American Lighting Designer born in Meriden, Connecticut. He completed his studies at the Pratt Institute in New York.
Kantack worked in the drafting room of the Edward F. Caldwell decorating firm in New York. In 1915 he began working at sterling Bronze as a designer. In 1917 he set up his design firm and became a specialist in custom lighting until 1932. He was the vice president of Architectural League of New York, honorary member of American Institute of Decorators, and member of the Hoover Delegation to the 1925 Paris ‘Exposition International des Arts Decorate des Industries Modernes.
The 1965 stacking Albinson chair produced by Knoll was similar to British Designer’s Robin Day trendy chair for Hille, although Albinson’s was more sophisticated. They stack, hook together side by side and comfortable to sit in. After Knoll he became a consultant designer to Westinghouse on office seating and furniture systems.
Has there ever been an American decorator as famous as Dorothy Draper? Like Martha Stewart, Draper was a preacher and teacher whose how-to books and Good Housekeeping columns provided middle-class homemakers with affordable ideas for making their homes more functional and comfortable. Thanks to her originality as a stylist and
Isamu Noguchi (1904–1988), was an American sculptor and designer. He was born in Los Angeles and professionally active in New York. He was influential and well-received in the twentieth century. He produced sculptures, gardens, furniture and lighting designs, ceramics, architecture, and set designs throughout his lifetime of creative experimentation. His work, both subtle and bold, traditional and modern, set a new standard for reintegrating the arts.
During Steve Job’s time at NeXT he commissioned graphic designer Paul Rand to create the visual identity for NeXT. Rand had the reputation for exerting great influence on his clients, he created a 100-page branding book to help Steve Jobs understand the entire design process hidden behind the NeXT identity.
Jay Spectre (1930 – 1992) was an American Interior and furniture designer. He was born in Louisville, Kentucky. He was professionally active in New York.
He began his interior design career in 1951 in Louisville. In 1968, he established the design company Jay Spectre, in New York. He designed interiors for luxury homes, private jet aircraft, yachts, and offices, which showed Art Deco, Asian, and African influences with high-tech and hand-carved elements.
The Cheney Brothers were American textile manufacturers. They were located in Manchester and Hartford, Connecticut. Cheney Brothers’ achievement in becoming one of the leading silk manufacturers in the USA was based on the family’s business expertise and broad knowledge of technical processes.
Connecting Legacies: A First Look at the Dreier Black Mountain College Archive” features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Asheville Art Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera.