Philco was founded in Philadelphia in 1892. In 1929, using assembly-line techniques, the firm produced the first truly low-priced radios. The firm became a leading manufacturer of audio products, adding domestic stoves, refrigerators, air conditioners, and other appliances to its line. In the 1950s, it produced a series of television set housings in historicist cabinets with technologically advanced features and large screens.
This sleek, aerodynamic design with its recognisable hooded nib was the result of a research programme finished in 1939, and it was promoted as “a pen from another planet” and “ten years ahead of its time.” It was released to mark the Parker Company’s 51st anniversary in the United States and quickly rose to the top of the company’s best-selling models list (nearly 120 million units sold).
Marc Harrison (1936-1998) was an industrial designer from the United States. Harrison sustained a significant brain injury in a sledding accident when he was eleven years old. He had to relearn simple functions like walking and talking as a result of the crash. Harrison gained experience and motivation for his future work as an industrial designer due to this incident and his lengthy recovery.
The Eureka Pottery was the last commercial pottery constructed during the historic three decades during which potteries were established in Trenton. The company made the most beautiful majolica in Trenton. It was established in 1883 by Leon Weil, who Noah and Charles Boch succeeded. It was closed in 1887 due to fire, the constant enemy of potteries.
In 1934, he worked in the Indian office of American architect Antonin Raymond. In 1937, in the Tokyo office, he studied Japanese carpentry techniques. In 1941, he set up his first workshop in Seattle. In 1942 in Idaho, Nakashima studied with an old Japanese carpenter until Antonin Raymond arranged his release.
Elbert Green Hubbard (1856 – 1915) was an American furniture designer. Hubbard met William Morris in 1894 and the following year inspired by Morris’s Kelmscott Press, founded the Raycroft Press’ East Aurora, near Buffalo, New York. He was the founder of the Roycrofters, an Arts and Crafts community; he organized workshops, lectured, and wrote as a highly effective champion of the Arts and Crafts philosophy.
Isamu Noguchi (1904–1988), was an American sculptor and designer. He was born in Los Angeles and professionally active in New York. He was influential and well-received in the twentieth century. He produced sculptures, gardens, furniture and lighting designs, ceramics, architecture, and set designs throughout his lifetime of creative experimentation. His work, both subtle and bold, traditional and modern, set a new standard for reintegrating the arts.
He opened his workshop in New York in 1952 and received his first commission, from the architecture firm Skidmore, Owings and Merrill, for draperies for 1952 Lever House, New York. At this time, he began machine-weaving fabrics that had the appearance of handweaving; they were subsequently much imitated.
The 1959 Cadillac is more of a temple than an automobile, a Gothic memorial to America’s glory years. It was overly long, low, and overstyled, and it’s the 50s’ final flourish. The 59’s outlandish space-age appearance, weird fins, and lavish 390 cubic inch V8 are fascinating, but the most striking aspect of the car is its blatant arrogance.
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy. Manufacturers wanted to stimulate demand for their products by offering customers new designs, and Loewy had an abundance of them with the ego to match. His mother had always told him, “It is better to be envied than pitied.”