A couple marvel at Barcelona’s iconic Sagrada Família, a representation of Antoni Gaudí’s architectural brilliance and design philosophy. The basilica’s interior offers a tapestry of light and color and, still under construction since 1882, stands as a testament to the evolving nature of art and architecture.
Pierre Chareau was a crucial figure in the French avant-garde movement, best known for his Maison de Verre design. He masterfully fused architecture with design, using modern ideas about lighting and space and incorporating industrial materials. His journey started at the Ecole des Beaux-Arts, where he learned key principles that shaped his distinct unornamented, minimalist style.
Bernardo Gómez-Pimienta, a globally influential figure, blends architecture with furniture design. Born in Belgium and based in Mexico, his works reflect his international background and his focus on functional aesthetics. His career includes academia, architectural identity projects, and award-winning designs.
In the early 20th century, Louis B. Easton emerged as a significant figure in American architecture and furniture design. Though never formally registered as an architect, Easton’s contribution to the Arts and Crafts movement was immeasurable. Originating as a vice-principal and manual arts teacher in Illinois, his journey took him to Pasadena, California, where he designed about 25 homes. His masterpiece, the Carl Curtis ranch, epitomized his philosophy that construction materials should serve both structural and aesthetic purposes. Easton was more than just an architect; he was an educator, a craftsman, and a visionary who left an indelible imprint on American design.
Explore the remarkable legacy of Joseph Emberton, an overlooked yet influential figure in architecture. From iconic structures like the Royal Corinthian Yacht Club to comprehensive design solutions for commercial spaces, Emberton’s impact on Modernist architecture is revealed. Delve into his diverse portfolio, including housing, exhibition buildings, and entertainment architecture. Discover how Emberton’s post-war contributions transformed urban spaces. Join us in celebrating the genius of Joseph Emberton and his lasting influence on architectural design.
She began her professional career in 1967; became a member of ADI (Associazione per il Disegno Industriale); 1967—74, she collaborated with architect and designer Cini Boeri. In 1974, she set up her studio in Milan; participated in the planning of the 1971 industrial design exhibition of ADI at the Design Centre, Brussels.
Sir Frederick Gibberd was a pioneering architect in Britain known for his modernist designs. He played a significant role in the development of the New Town of Harlow and London’s Heathrow Airport. However, his most renowned masterpiece is Liverpool’s Roman Catholic Cathedral, featuring a circular design, minimal decoration, and a striking stained glass cylinder. Gibberd’s innovative approach and departure from tradition left a lasting impact on modern church architecture in the UK.
Eva Jiricna is a renowned architect and designer known for her elegant and innovative creations. From her early career in Prague to establishing her own practice in the UK, Jiricna has left a lasting impact on the industry. Her collaboration with fashion retailer Joseph Ettedgui shaped the iconic matte black style of 1980s London. With a blend of high-tech features and romanticism, Jiricna’s designs have garnered attention. She has worked on notable projects including the Joseph flagship store and collaborated with esteemed architects like Richard Rogers and Jan Kaplicky. Eva Jiricna Architects has expanded its scope to include product design and a wide range of commissions, solidifying Jiricna’s reputation as a visionary architect.
He worked for various firms in Italy and Yugoslavia. He received a patent for a bookcase-component system. Clients included Ferro & Lazzarini (glassware) and Italianline. He was best known for his lighting in glass and a mushroom-shaped table lamp in marble; became a member of ADI (Associazione per il Disegno Industriale); was author of Venini Glass (1990) and the manager of an art auction house.
From 1922 to its close in 1931, he was a member of the Devétsil group and editor of the compendium Zivot II and journal Disk; in 1922, he worked in the office of architect Josef Gocar. In 1923, he set up his own office in Prague; was the Bauhaus representative in Czechoslovakia. He was a friend of Teige and the leading architect of the Devétsil group.