Léon Ledru (1855-1926) was a French glassmaker and designer. He was the manager of the design department of the Cristalleries du Val-Saint-Lambert in Belgium for 38 years. Through the work the firm showed at the 1897 Brussels ‘Exposition Internationale,’ he stimulated interest in avant-garde design.Read More →
After studying design at the Japan Art School in Tokyo, Awashima worked for artisan Kozo Kagami, who had studied Western glass methods in Germany from 1935 to 1946. Read More →
He was primarily taught by his glassblower father and is now regarded as one of the most accomplished Art Deco glass artists. Read More →
Maurice Max-Ingrand (1908–1969) was a French artist and stained glass artist. He was captured by the Nazis during World War II but returned to France in 1945. In 1968, he established Verre Lumière, one of the first businesses to manufacture halogen lamps.Read More →
Jacques Gruber (1870-1936) was a French stained-glass artist, designer, and teacher, born Sundhausen, Alsace. He studied at the Ecole des Beaux-Arts, Paris, under Gustave Moreau. He was distinguished as a designer in the Art Nouveau idiom. Read More →
Aristide Colotte was a French glassware designer who was born in Baccarat and studied at the École du Dessin, Cristallerie de Baccarat. He worked as an engraver, moulder, and jeweller, and was awarded medals and Légion d’Honneur.Read More →
Hans Harald Rath was an Austrian glassware designer who played a crucial role in reviving the glass industry in Austria. He designed chandeliers for public buildings, theatres, opera houses, and table crystal services. His sons took over the firm after his death in 1968.Read More →
Georges Dunaime designed lighting for E. Etling, the designer and engraver. His work included table lamps, torchéeres, and chandeliers made of silver, gilt, and patinated bronze with shades made of cloth, cut glass, quartz, marble, and alabaster.Read More →
He was best known for his cut and engraved glass. Hlava enhanced a number of innovative technologies, both in terms of conception and manufacturing. These featured melted silver leaf and other materials, as well as skeleton moulds for shaping glass.Read More →
Blenko established the first American factory to produce sheet glass for stained glass windows. Blenko’s early successes include providing glass for St. Patrick’s Cathedral in New York City. The White House has a collection of Blenko table ware, used periodically. Wayne Husted pioneered the concept of “architectural scale” designs. Blenko’s “Historic Period” begins with Anderson in 1946 and includes work of Nickerson up to 1974.Read More →
In the 1930s, Farquharson was a major contributor to the design of British glassware. His documented career in glass began in 1935 with Arches, an engraved design on glass produced by John Walsh Walsh, where he produced other cut-crystal glassware as its head designer 1935—51. Read More →
Arttu Brummer was a Finnish interior and glassware designer. Brummer set up his own interior design office in 1913. Read More →
Gate began his long affiliation with the Swedish glassmaking firm Orrefors in 1916. He worked as an artistic director and built the firm foundation for Sweden’sSweden’s substantial modern glass industry, alongside Edvard Hald, Vicke Lindstrand, Knut Bergqvist, and others.Read More →
Edward Hald (17 September 1883 – 4 July 1980) was a Swedish sculptor. His work was part of the art competitions at the 1932 Summer Olympics and the 1936 Summer Olympics.Read More →
He worked for Sasaki Glass, for which he designed the 1988 San Marino glassware range.Read More →
Kiroshi Yamano is a Japanese Glass Designer. He studied at the Tokyo Glass Crafts Institute to 1984 and Rochester Institute of Technology, Rochester, New York, to 1989. Read More →
He made deeply cut crystal objects that were often coloured. He used a lot of nature subjects. The most famous is “Lumpeenkukka”. This glass object, designed by Okkolin in 1960, was Riihimäki Lasi’s best-selling single object. Okkolini’s glassware was presented to several foreign heads of state. He continued working for Riihimäki Glass until 1976 when glassblowing by hand was stopped. After that, he worked as a freelance designer. He was granted a state artist’s pension in 1980. Read More →
From 1956, Tagliapietra taught glassmaking with Archimede Seguso and Nane Ferro; 1966—68, designed glass for Venini, Murano; until 1968, for Murrina; from 1968, taught glassmaking at Haystack School and Pilchuck School, Stanwood, Washington.
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Jutrem was educated at the Norwegian School of Crafts and Design 1946-1950, and at the same time received painting lessons from Carl von Hanno. Later studies with Fernand Léger in Paris 1952-53 and with Chrix Dahl 1954-55. He made his debut as a painter at the Autumn Exhibition in 1950.Read More →
Nyman worked for all the great Finnish glass manufacturers of the 20th century: Riihimaki from 1932—47, Nuutajarvi-Notsjo from 1946—48, and Karhula from 1935—37 (and at littala from 1946—47). She designed for both production and studio glass.Read More →