John Eberson was an american designer who was known for his cinema décors. One of his earliest, the 1923 Majestic Theatre in Houston, Texas, was a loosely recreated garden of a late-Renaissance palazzo in Italy. Through his workshop Michelangelo Studios, he was was successful at producing elaborate plasterwork for his theatre décors in Spanish, Moorish, Dutch, Chinese and other styles.
He was in private practice since 1932. Wallpapers, domestic machine-pressed glassware for Chance Bros., 1953 coronation hangings for Westminster Abbey, gold and silverwares, ceremonial metalwork, glassware for King’s College, Cambridge, 1961 metal-foil murals for the oceanliner Canberra, engraved and sandblasted glass murals for Pilkington.
He met Rex Whistler at the Slade, with whom he began making papier-maché masks. These piqued the interest of Sergei Diaghilev, who commissioned Messel to create masks for the Ballets Russes production Zéphyre et Flore in 1925. For his 1928 play This Year of Grace, Noel Coward commissioned sets and costumes.
Andrée Putman was a French interior designer, furniture designer, and entrepreneur. She was born in Paris. Putman was probably best known internationally for her black and white palette, illustrated by the 1985 interior of Morgans Hotel in New York. It was commissioned by the entrepreneurs Ian Schrager and Steve Rubell.
Eugene Printz (1889 – 1948) was a French decorator and furniture designer he was born in Paris. Printz worked in his father’s workshop in the rue du Faubourg Saint-Antoine in Paris, where he formed a staff of experimental practitioners. He used materials from the past in his modern furniture pieces,